夜火

評分：0.3 播放：37萬 更新：2026-04-23

一對不幸的已婚夫婦發現自己受到了一對流浪漢夫婦的擺布，他們出現在門口，聲稱自己的車壞了。他們真的是被丈夫雇來溫暖妻子的；但事情很快就變得丑陋起來。 　　

影片推薦

同類精選

影視排行

遁入虛無

內森奈爾·布朗,帕茲·德拉維爾塔,Cyril Roy,Olly Alexander,Masato Tanno,Ed Spear,Emily Alyn Lind,Jesse Kuhn,Nobu Imai

　　一場車禍奪去了父母的性命，年幼的奧斯卡和妹妹琳達發誓永不分開。成年后，奧斯卡（Nathaniel Brown 飾）漂泊來至東京，為了實現童年的誓言，他以兜售毒品賺取錢財，終于為琳達（Paz de la Huerta 飾）掙得了飛來東京的機票。兄妹相遇，卻終是隨波逐流的個體。在這個繁花亂墜迷人眼的大都會，奧斯卡繼續進行毒品交易，而琳達則在一家夜總會大跳艷舞。在一次交易時，奧斯卡遭到警察圍捕，混亂中更被槍擊身亡。他的意識漸漸脫離肉體，穿梭在東京的大街小巷，關注跟隨每一個在他生命中留下痕跡的人，等待著下一場不知何時才會開始的輪回……　　本片榮獲2009年Sitges – Catalonian國際電影節最佳攝影獎和評委會特別獎。

被撓

大衛·法里爾,迪倫·里夫,大衛·斯塔爾,哈爾·卡普,戴維·達馬托

　　網絡上流傳著關于“撓癢”的神秘競技，一個同志想參與這場“撓癢癢大賽”卻被告知此運動僅限直男。記者大衛·法里爾(David Farrier)深入探尋后發現“撓癢”的背后是一條完整的灰色產業鏈，這其中不僅有撓癢視頻的制作方對演員的壓榨與侵害，甚至還能看到美國由金錢操縱的階級制度的冰山 一角。 本片曾獲得2016年第32界圣丹斯電影節世界電影單元紀錄片評審團大獎提名。　　一場“撓癢”的運動，卻讓人笑不 出來。

六百英里

蒂姆·羅斯,哈里森·托馬斯,莫妮卡·德爾·卡門,格瑞格·魯茲,哈里斯·肯德爾,諾伊·埃爾南德斯

　　亞利桑那州的槍枝商店內，白人男孩負責買槍，再交由開卡車的墨西哥少年穿越美墨邊境，運到販毒大本營西納洛亞。毒梟媲美軍隊的強大火力，拜美國松散的槍械管制之賜。少年工作如常，渾然不覺已被資深探員漢克盯上，但正當漢克準備逮捕他們時，卻反遭撂倒淪為人質。不知所措的墨西哥少年，竟決定帶他回墨西哥。分屬對立陣營的兩人，就此命運緊緊相連，開向未知。　　導演加布里埃爾·利普斯坦獲第65屆柏林電影節最佳處女作獎。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.