在線播放
劇情簡介
由美是一散著“美”的美人,到丈夫-宏太第一次的酒吧遇上著名攝像師Kenny!由美的另類美偶然吸引起Kenny的眼神…在Kenny的眼中,他不但拍了由美的引人身段更輕易的得到她的身體。然而Kenny是個生活散亂的人,由美只不是他在一夜情的其中一人。而由美的想法是除了丈夫以外, Kenny便是她唯一的男人!為了得到Kenny,由美引Kenny到墅中并把他囚禁,在Kenny打算逃走剪去他的腳趾以示戒!承受著身心的威脅,由美的關心同情。從此Kenny開始享受由美的特『性』侍候,亦甚至忘自己是被禁的人……
同類好片
孤獨癥候群
Pierre Le Baleur,Eddy Frogeais,Diane Martin哪吒鬧海
梁正暉,邱岳峰,畢克,富潤生,尚華,于鼎驅魔2024
羅素·克勞,芮安·辛普金斯,薩姆·沃辛頓,克洛伊·貝利,亞當·戈德堡,亞德里安·帕斯達,戴維·海德·皮爾斯,特雷西·邦納,瑪塞奈·麗奈特,約書亞·約翰·米勒,哈莉·塞繆爾斯,漢娜·布萊克,薩曼莎·瑪西絲,杰登·方丹,扎克·帕德羅,查德·邁克爾·貝爾德,德魯·布羅德里克雛菊2006
全智賢,鄭雨盛,李成宰,姜大衛,林迪安她不是我媽媽
Artika Sari Devi,奧羅拉·里貝羅,阿里·菲克里,Fara Shakila,Husein Al Athas,Dian Sidik,Sita Nursanti RSD,Khiva Rayanka奇幻之家
趙文琪,李琦,斯琴高娃,顏勤,徐日東升,宋祉璇,來喜,天賜,張明明,孟繁淼,馬國芯,吳一熳,徐日光耀,張韶潔,趙溦,宋牧晨,王慶峰,李時雨,孫悅人氣佳作
月球奇幻旅
麥肯娜·格瑞絲,布雷迪·諾恩,比利·巴瑞特,Piper Rubio,Isaiah Russell-Bailey,Carson Minniear,奧遜·洪,Thomas Boyce,Hero Hunter,Jermaine McTizic,Tom Cain,Ashlan Rowan,Divyansh Yaduvanshi,Ken Knight,Rose Bianca Grue懷舊者
朗貝爾·維爾森,薩繆爾·喬斯林,Scott Hinds靈異醫院
Sara Foster,Cary Elwes,Michael Biehn,Gabriel Mann,Colleen Camp,Winter Ave Zoli,Susie Amy,Katherine Shanklin開麥了嗎?
威爾·阿奈特,布萊德利·庫珀,塞倫·希德,勞拉·鄧恩,艾米·塞德麗絲,西恩·海耶斯,克斯汀·埃伯索爾,斯萬米·薩姆派奧,安德拉·戴,佩頓·曼寧,加布·法齊奧,迪倫·比克爾,喬丹·詹森,Scott Icenogle,湯姆·約翰遜,Chloe Radcliffe,德里克·蓋恩斯,蘭登·威爾森,Reggie Conquest,Seyler Fox導演精選
紅嫁衣:紙新娘
中元鬼節,陰間大門洞開!滔天鬼氣噴涌,無數怨靈哀嚎爬入人間!兇神惡煞的五猖兵馬手持染血鐵鏈,當街撕扯活人魂魄,慘叫聲撕裂夜空!修羅城瞬間化成鬼域!陰陽師葉無雙與厲飛云臨危受命踏入死地。然而,他們遭遇的,是遠超想象的極惡兇靈:紅嫁衣紙新娘!夜半三更,回魂之夜,四名慘白紙人,臉頰涂著詭異腮紅,嘴角裂至耳根,關節咔咔作響,抬一口薄皮棺材,腳不沾地,直撲國舅府。翌日,國舅僅剩一張人皮,被折成紙偶塞進棺中。紅嫁衣所過之處,寸草不生,活物絕跡!街坊鄰里,前日猶在寒暄,一夜之間,整條街住戶盡化僵硬紙人,臉上凝固著死前極致的恐懼!孩童撿起一張飄落的紅紙錢,當晚全家七竅流血,身體在慘叫中干癟脆裂,化作紙屑!紙新娘索命降臨,無人生還!修羅城,這座活人之城,被無法抗拒的怨氣拖向無間鬼蜮深淵………
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
妃子笑
弘治七年,皇上在全國范圍內大選妃子。來在同村的兩位少女鴛鴦(黃婉君 飾)和朱朱(黃婉伶 飾)相助于危險的夜路,遂互稱姐妹,共赴皇宮。 對于少女們來說,如果成功當選皇妃,無論富貴貧賤都可飛上枝頭當鳳凰,自然競爭激烈,條件也很苛刻。不光自身條件要好,還要經過嚴格的培訓與層層考試。但更加殘酷其實是她們各自之間的勾心斗角、爾虞我詐?! ∶鎸ΨN種的困難與危險,鴛鴦與珠珠能否闖過難關?而面對這殘酷的競爭,她們的友情是否會改變呢?