劇情簡介
某日,高中老師鵜川接到一通電話,自稱稻村的律師想詢問他關於六年前的一樁謀殺案,兇手是他當時的女友-遠澤芽衣。暫無內容;時至今日,回想起當初那場刻骨銘心,卻又讓所有人陷入悲劇的炙情熱愛,鵜川彷彿再次體驗那場甜美又心痛的戀愛。然而稻村拿出一張照片,讓鵜川終於說出當年被刻意隱藏的黑暗秘密。
為你推薦
過家家2026
成龍,彭昱暢,張佳寧,潘斌龍,李萍,牛犇,劉敏濤,馮兵,李宗恒,芮丹尼,黃才倫,老四,黃炎,韓棟,張國慶,劉頔,劉洋,陳昊明,那家威,楊帆,永辰,李洪權,胡笑源,傅曉娜,韓沐霏,李太言,朱秈秈遠離家鄉的租客鐘不凡(彭昱暢 飾)被老房東任爹(成龍 飾)誤識成離家多年的兒子,囊中羞澀的鐘不凡不得不與獨自漂泊的租客蘇曉月 (張佳寧 飾)、斜杠中年房屋中介賈爺 (潘斌龍 飾)、對任爹關懷備至的鄰居金珍姑 (李萍 飾)相聚在同一屋檐下,不是一家人,硬進一家門。當鐘不凡被任爹不定時發作的糊涂折磨得死去活來時,卻發現了老人深藏多年的秘密……
遇見世界
杉咲花,南琴奈,板垣李光人,蒼井優,澀川清彥27歲的由嘉里沉迷于擬人化燒肉漫畫《肉即吾命》,卻始終無法接納真實的自己。面對朋友們紛紛步入婚姻與家庭,她感到焦慮與孤獨,嘗試通過相親改變現狀,卻屢遭不順,醉倒在歌舞伎町街頭。此時,她被陪酒女萊伊救起,兩人由此展開一段微妙的關系。隨后,由嘉里又結識了已婚男公關朝日,三人各自背負著不同的生活壓力,卻在彼此陪伴中逐漸找到歸屬與勇氣。 影片改編自金原瞳撰寫的同名小說。
最佳拍檔2:大顯神通
許冠杰,麥嘉,張艾嘉,倉田保昭,徐克,葉夏利,曹達華,黃百鳴,汪庭歡,祖迪文,域陀布烈,李家鼎,施明,韓國材,關淑怡金剛(許冠杰 飾)成功降服白手襪之后,白手襪之兄黑手襪受黑手黨指派繼續交易鉆石并向金剛復仇,金剛與黑手襪的高級機器人大戰數合終于僥幸勝利,卻馬上又落入了牛牛、悠悠兄妹犯罪團伙的騙局,卷入銀行搶劫案成為嫌犯,金剛逃亡路上將拍檔光頭神探(麥嘉 飾)與何東詩(張艾嘉 飾)的婚禮攪得一塌糊涂。所幸光頭神探義字當先合力與金剛對抗牛牛、黑手襪,卻不料金剛再次被悠悠戲弄,光頭神探也只落得被嚴妻整治。最佳拍檔被牛牛團伙脅迫,不得不出面搶奪鉆石,而黑手襪方面再次出動高級機器人應戰,早有準備的金剛取出機器人特工隊,混戰一觸即發…… 本片是最佳拍檔系列的第二集。
索命暹羅之按摩師
林保怡,袁百梓卉,高捷,黃愷杰,鈕蔚淇,高翔,葉勇莫蘭(袁百梓卉 飾)擁有著一段悲慘的童年,很小的時候,她就失去了母親,然而莫蘭始終都不知道母親究竟為什么會死,這場悲劇成為了莫蘭內心里最大的謎團和黑洞。時間一年一年的就這樣過去,一轉眼莫蘭便已經長成了亭亭玉立的少女,只是,她從未放棄過想要調查當年事件真相的額念頭。 尹正(林保怡 飾)是莫蘭的師叔,在泰國經營著一家按摩院。莫蘭千里迢迢遠赴泰國尋找尹正,想要借助他的力量開始調查。哪知道來到泰國后,莫蘭的身邊開始接二連三的發生科學無法解釋的詭異事件,甚至還發生了命案,而這一切都和母親當年的死因有著千絲萬縷的關聯。
太空異種2026
魏璐,林妍柔,柳揚,王銘,安澤豪,王勉,鄒瑋祺,孫競爭,朱智煌,劉靜怡未來世界,在一艘名為“蒼穹號”的飛船上,船長梁承天帶領著船員們經常在星際之間從事采集礦物質的買賣,以此來獲得巨大的經濟利益。雖然他們在多次采集過程中偶爾會遇到危險,但最終也都能安全返航。 直到這次,梁承天帶著船員們在銀河系中,意外找到一顆六千萬年前爆炸的超新星,他們在附近采集到了稀有的礦物質,從而能獲得巨額利益。可因利益分配不均,各懷心事的船員們就此踏上返航之旅。 在返航途中“蒼穹號”意外接到了一組未知的求救訊號。他們成功救下了“創世紀號”的生物學家林修遠和他的妻子Angel,而梁承天在救援的過程中也意外受傷。
暗金丑島君:完結篇
山田孝之,綾野剛,永山絢斗,真飛圣,間宮祥太朗,海,最上摩卡,真野惠里菜,仲野太賀,狩野見恭兵,湊莉久,天使萌,槙田雄司,玉城蒂娜,六角精兒,茂呂師岡,安藤政信,八島智人,高橋瑪莉潤,崎本大海,矢部享佑在物欲橫流的社會里,高利貸公司CowCow Finance的事業繼續蒸蒸日上。然而,隨著某日突然來訪的,將社長丑島馨稱呼為“小馨”的中學同班同學竹本的出現,丑島的過去逐漸被揭開。丑島與盟友戌亥、得力下屬柄崎和高田不得不面對來自知曉丑島過去故事的最強敵對者鱷戶三兄弟、與丑島舊恨未了又添新仇的女性高利貸者犀原茜、欲要毀滅丑島的十分有手腕的律師都陰以及立場無法判明的竹本的多重挑戰,CowCow Finance史上最大危機來臨……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.