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全境災(zāi)變
伊芙·詹姆斯 Eve James,坎農(nóng)·史密斯 Kannon Smith,萊琳·麥克 Lelyn Mac地震之后電影版
岡田將生,鳴海唯,渡邊大知,佐藤浩市,橋本愛,唐田英里佳,吹越滿,黑崎煌代,堤真一,黑川想矢,井川遙,澀川清彥,津田寬治,錦戶亮,能年玲奈女人們的談話
魯妮·瑪拉,朱迪思·愛薇,艾米麗·米切爾,凱特·哈萊特,麗芙·麥克尼爾,克萊爾·芙伊,希拉·麥卡錫,杰西·巴克利,米歇爾·麥克勞德,基拉·古洛安,莎伊拉·布朗,弗蘭西斯·麥克多蒙德,薇薇安·安迪克特·道格拉斯,本·衛(wèi)肖,奧古斯特·溫特,洛克蘭·雷·米勒,納撒尼爾·麥克帕蘭德,威爾·寶,伊里·哈姆,艾米麗·德雷克,馬庫(kù)斯·克雷格,卡羅琳·吉利斯杰夫·羅斯:帶蕉上路
杰夫·魯斯我的野蠻同學(xué)
謝霆鋒,馮德倫,容祖兒,彭敬慈,鐘兆康,余家豪,吳志雄成人生活技能
朱迪·惠特克,愛德華·霍格,愛麗絲·洛維,布雷特·戈?duì)柎奶?Rachael Deering,洛琳·艾什本,伊蓮恩·戴維斯同類推薦
最美的島嶼
安娜·阿森西奧,娜塔莎·羅曼諾娃,卡普里切·貝內(nèi)德蒂,阿米·謝斯,米麗亞姆·A·海曼,薩拉·葳瑟,尼古拉斯·圖齊,拉瑞·凡斯登,安娜·邁,戴維·利特爾,娜塔莉亞·茲韋列娃,索里卡·沃爾夫,費(fèi)內(nèi)拉·A·丘多巴,布雷特·阿扎爾,奧若拉·漢姆巴赫,玢·羅賓斯,邁克爾·文森特本片根據(jù)真實(shí)事件改變. 俄羅斯美女露西亞娜入境紐約后, 瀕于生活崩潰的邊緣, 除了保姆的工作之外, 她還得擔(dān)任另一份危險(xiǎn)的工作: 脫光后, 與世界最具有毒性的蜘蛛共處一隅....
異形怪胎 2
Michele Greene,Robin Curtis,Scott Valentine一個(gè)邪惡的生育實(shí)驗(yàn)創(chuàng)造了一代扭曲的孩子。 一個(gè)無情的女人在破壞這些突變的嬰兒之前已經(jīng)做好了這件事,摧毀了這個(gè)世界! 一個(gè)母親和她唯一的朋友在愛之間被撕毀了這個(gè)變形的人的排斥,并準(zhǔn)備為了生存而戰(zhàn),但這個(gè)寶寶不需要愛。 它被編程為不惜一切代價(jià)生存。
家用攝像頭
尹世雅,權(quán)赫,阮芳青薇當(dāng)兼顧工作和撫養(yǎng)孩子的單身母親成熙(尹世雅飾)為她年幼的女兒在整個(gè)房子里安裝家庭攝像頭時(shí),奇怪的事情開始了。
異形侵襲
Ian McCulloch,Louise Marleau,Marino Masé所謂的無船員的船攜帶咖啡駛?cè)爰~約,但是當(dāng)警察和一些科學(xué)家在船上發(fā)現(xiàn)了船員可怕的尸體和大量的盒子裝滿綠色蟲蛋。爆炸的時(shí)候蛋溫度升高和任何人誰接觸的物質(zhì)都會(huì)爆炸。現(xiàn)在政府介入和幸存的軍官,一名上校和一名宇航員發(fā)現(xiàn)這些蛋可能與災(zāi)難性的火星任務(wù)有關(guān)。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster