劇情簡介
奇幻艷情影片,講的是一個外星人假扮成一個女人 的故事。
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非請勿進
斯蒂芬·多爾夫,娜塔莎·麥克艾霍恩,斯蒂芬·瑞麥克(斯蒂芬·多爾夫 Stephen Dorff 飾)是一名心懷大志的警探,最近,一宗連環殺人案件吸引了他的注意,已經有四人成為了殘酷兇手刀下的獵物。在搭檔泰瑞(娜塔莎· 麥克艾霍恩 Natascha McElhone 飾)的幫助下,麥克開始了對案件的調查。隨著調查的深入,一個驚悚的網站逐漸浮出水面,四名受害者在死前48小時都登陸過這個網站,在一個代號為“黑寡婦”的神秘女人的支配下,他們似乎用生命做賭注加入了一場游戲。為了查明真相,麥克決定以身試險,他登入了網站,與此同時,他生命的最后48小時開始了倒數,麥克必須在此時限內將真兇繩之于法,否則,他的結局會和先前的那四個人一模一樣。
妖獸都市
黎明,李嘉欣,仲代達矢,張學友,張耀揚,李若彤,袁和平,葉山麗子故事發生在未來世界,阿龍(黎明 飾)和阿強(張學友 飾)都是抓捕妖獸的特警隊警員,但是上司(袁和平 飾)非常器重阿龍,而對阿強就戒心重重。阿強氣不過在酒吧買醉,得到了女友(李若彤 飾)的支持寬慰。然而,他心頭總是籠罩著陰影——原來阿強的母親也是妖獸,后來他把這個隱秘告訴了阿龍。阿龍也坦白了自己跟妖獸幻姬(李嘉欣 飾)的一段感情…… 此后,阿龍在一次抓捕元大宗(仲代達矢 飾)的行動中,重逢了現已成為元妻的幻姬,情急之下卻要引出重重誤會。其實,元大宗是要跟人類合作的妖獸,但是另有一股液態妖獸正在肆虐地侵襲這個城市。在對抗液態妖獸的過程中,阿龍與幻姬的感情經歷了生死的考驗,但是元大宗的兒子鬼眾道(張耀揚 飾)卻設計離間意圖消滅人類,與此同時阿強也發現了特警隊的叛徒……
宇殺員
Shannon Hutchinson,Vito Trigo,Jasmina ParentIn the near future, aliens have invaded Earth and declared a galactic war resulting in thousands of human casualties. To save Earth, a team of four teenage astronauts brave the alien wilderness of a distant planet to stop an assassin from changing the course of history forever.
茱莉亞
簡·方達,杰森·羅巴茲,瓦妮莎·雷德格雷夫,馬克西米連·謝爾,梅麗爾·斯特里普故事發生在二十世紀三十年代初期,莉蓮(簡·方達 Jane Fonda 飾)前往維也納尋找自己曾經的好友茱莉亞(瓦妮莎·雷德格瑞夫 Vanessa Redgrave 飾),到達目的地之后,莉蓮才知道,茱莉亞因為和法西斯支持者發生了激烈沖突而受傷住進了醫院,之后不知所蹤。在莉蓮回歸自己的生活之后,她意外的收到了茱莉亞的來信,在信中,茱莉亞請求莉蓮幫助自己投運五萬美元給反納粹組織,盡管這一舉動在當時意味著巨大的危險,但是莉蓮還是答應了茱莉亞,最終,兩個多年未見的好友在柏林重逢。然而,沒過多久,莉蓮便受到了茱莉亞的死訊,在悲痛之中,莉蓮明白,自己還有未完成的任務。
相會在昨天
伊登·鄧肯-史密斯,亞斯特羅,瑪莎·斯蒂芬妮·布萊克,邁拉·盧克利希亞·泰勒,達馬里斯·劉易斯,弗蘭克·哈茨,布瑞特·G·史密斯,伊恩·安特曼,小巴靈頓·沃特斯,Dante Crichlow,Wavyy Jonez,Taliyah Whitaker,Johnathan Nieves,Manny Ure?a,Khail Bryant,Allen Holloway,Ejyp Johnson一對黑人兄妹相依為命,哥哥卻被白人警察誤殺,你猜猜她會怎么辦?對抗強權為黑人群體發聲?并不,妹妹居然造了一架時光機器,回到過去好讓自己的哥哥免于槍殺!
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
獵戰狂徒
鄭楚一,魏曉璇,文東俊,曾晨,鄒兆龍,盧惠光,邢瀚卿,英壯,梁焯滿,閔政,孫蛟龍,王澤宗,王洪千,包小平,任珅,吳豪,徐寧,趙思陌,楊光,朱翔,張振宇故事圍繞緝毒警察何光辰(鄭楚一飾)追查“將軍”販毒集團展開。一群“鬼面”狂徒黑吃黑劫走毒品,而幕后主使竟是何光辰的警校摯友(鄒兆龍飾),兩人從并肩立誓到正邪對立,上演刺刀見紅的生死博弈。劇情通過血腥動作場面和兄弟反目的人性掙扎,揭露黑惡勢力真相,最終將罪惡繩之以法。