皮下之慌
不知從何時起,蕭索的蘇格蘭街頭出現了一個神秘女子(斯嘉麗約翰遜 Scarlett Johansson 飾),她身著皮草,駕駛一輛汽車,不茍言笑的面龐隱約間彌散著攝人魅力。她時不時地與路邊的男人搭訕,向他們問路,間或載著相中的男人同歸。她走向黑暗的勁頭,被欲望支配的男人們緊隨其后,卻全然未能覺察自己步入了怎樣的深淵。男人有如飛蛾撲火,被抽取了骨血,只剩空空皮囊,薄如蟬翼。直到某個晚上,女人搭載了一個相貌極其丑陋的男子。他宛如怪物一般,自知丑陋而深深隱藏自己。女人如往常一樣接納了他,而從第二天起,似乎女人發現自己在悄悄發生著變化。她發現了這幅皮囊的可欣賞之處,享受作為女人的樂趣,卻幾乎忘記了本來的面目 本片根據米歇爾 法貝爾(Michel Faber)的小說改編。
劇情簡介
不知從何時起,蕭索的蘇格蘭街頭出現了一個神秘女子(斯嘉麗約翰遜 Scarlett Johansson 飾),她身著皮草,駕駛一輛汽車,不茍言笑的面龐隱約間彌散著攝人魅力。她時不時地與路邊的男人搭訕,向他們問路,間或載著相中的男人同歸。她走向黑暗的勁頭,被欲望支配的男人們緊隨其后,卻全然未能覺察自己步入了怎樣的深淵。男人有如飛蛾撲火,被抽取了骨血,只剩空空皮囊,薄如蟬翼。直到某個晚上,女人搭載了一個相貌極其丑陋的男子。他宛如怪物一般,自知丑陋而深深隱藏自己。女人如往常一樣接納了他,而從第二天起,似乎女人發現自己在悄悄發生著變化。她發現了這幅皮囊的可欣賞之處,享受作為女人的樂趣,卻幾乎忘記了本來的面目 本片根據米歇爾 法貝爾(Michel Faber)的小說改編。
為你推薦
像我這樣的愛情
廖子妤,陳家樂,劉雅麗,楊淇,劉若寶,林芷沿我們這樣,是愛嗎?阿妹天生患有腦性麻痹,性格卻異常跳脫樂觀,閑時會約朋友踩板吹水,畫畫作樂,二十多年來一直努力不被身體耽誤。可是過度保護的母親堅決安排她進行子宮切除手術,阿妹努力建立的生活再次失去平衡,她的身體永遠是不由自主的。在朋友推薦下,阿妹找到了一個專為殘疾人士提供性服務的自發組織,并認識了義工Ken。這無私的相遇仿佛撫慰了兩個受傷的靈魂,那日漸累積的情愫沖淡了道德與身體的羈絆,這樣的關系,是愛嗎? 譚惠貞繼《以青春的名義》(第14屆開幕電影)后第二部長片作品,將愛情元素和身障者性權益議題融合,成就一個道德探索與自我尋找的故事。
滅絕2015
馬修·福克斯,杰弗里·多諾萬,奎恩·麥克科甘,Valeria Vereau,克拉拉·拉戈,Eduardo Fedriani,Matt Devere,Alex Hafner,Jeremy Wheeler,Katharine Bubbear,麗麗·博爾丹,胡里奧·佩里蘭,Orsolya Bene,Adam Zambryzcki,nm5099682 Daniel Bargue?o不知曾幾何時,地球突然爆發恐怖的喪尸病毒,成千上萬的人被病毒感染,隨后化作嗜血喪尸撕咬同類,正常人類的數字直線減少。帕特里克(馬修·福克斯 Matthew Fox 飾)和杰克(杰弗里·多諾萬 Jeffrey Donovan 飾)當年乘坐巴士疏散,誰知途中遭遇最慘烈的 事件,這兩個男人以及一個尚在襁褓中的小嬰兒成為唯一的幸存者。九年后,地球上人類所剩無幾,杰克以及當年的嬰兒——可愛的小女孩露(奎恩·麥克科甘 Quinn McColgan 飾)住在一個寒冷的山村,父女倆相親相愛,甜蜜溫馨。與之相對,胡子拉碴的帕特里克與他們比鄰而居,他似乎與杰克有著深深的隔膜。 某個飄雪的夜晚,露意外在院落外目擊到久未出現的喪尸的行蹤,曾經的噩夢再度浮現……
迷妄國度4
Trupti Agarwal,Gaurav Arora,Ashwath Bhatt秘密是相愛的人之間最大的敵人,就像一顆定時炸彈,伺機等待毀掉美好的一切。瑞罕聽從沙伊娜的建議,為了更好的工作和生活離開印度再次來到羅馬尼亞,沙伊娜興高采烈的規劃著二人未來的生活,卻得不到瑞罕的贊同與支持,甚至爆發了更激烈的爭吵。沙伊娜隱約感覺瑞罕有心事卻不肯說,而更可怕的是沙伊娜漸漸的開始看見一些別人看不到的東西,甚至是莫名其妙的出現在距家幾十公里外的電話亭卻不自知。對于沙伊娜的恐懼,瑞罕卻不以為意。愈演愈烈的詭異行為究竟是沙伊娜的惡作劇,還是存在著可怕的操控者?適時出現的阿迪蒂亞這位前男友能否代替瑞罕拯救沙伊娜?相愛的兩個人又將面對怎樣的結局... ...
鬼滴語3
納得克·庫吉米亞,蘭達娜瓦迪·望同,潔莉爾查·卡本,卡杰布泓迪緹特·珈迪,佩拉克里特·帕查拉布納亞基特在那場悲劇發生25年后,一個年輕的少年發現了屬于他祖父的神秘盒子……
刺透
克里斯托弗·阿波特,米婭·華希科沃斯卡,萊婭·柯絲達,奧利維亞·邦德,瑪麗亞·迪齊亞,馬琳·愛爾蘭,達科塔·盧斯提克,維德爾·皮爾斯該片故事講述一名變態殺手(克里斯托弗·阿波特 飾)計劃在酒店招妓(米婭·華希科沃斯卡 飾),并將其謀殺。然而他計劃卻失敗了。
她的重生
瑪麗安娜·芳塔娜,喬瓦尼·安扎爾多,Demetra Avincola,Dalila De Marco,洛倫索·吉埃利,Eliana Lupo,Cristiana Raggi,Nicola Rignanese影片在舒緩的節奏下呈現了一位女性重塑自我之路,故事主人公安娜為她十幾歲時犯下的謀殺罪已經服刑15年,雖然服刑期滿,但周圍異樣的眼神意味著 對她的審判仍未結束。安娜離家遠行來到一個小鎮并找到工作,準備開啟新生活,但她仍需與封閉、恐懼、偏見不停斗爭,那些舊日時光留下的黑洞,必須由她親自填補。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.