欲念浮動

? 6.0 播放：12萬 2026-04-28

兩個青年女子之間的表態性心理導致了其中一個被害，而兇手就是另外一位姑娘。此后，她便被囚禁一間修道院中。探長前來偵詢，律師也前來調查案情。但探長并非在影片首尾出現的那個探長，律師又與被害者是同一個。所以，這樁兇殺案是否真的發生過，是否真的是這位殺手所為，都是不肯定的。需要由觀眾自行思考。本片是導演羅布一格里葉繼《穿越歐洲的快車》后，自編自導的影片。也是他的第一部彩色影片。影片中的框架十分簡單。

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劇情提要

兩個青年女子之間的表態性心理導致了其中一個被害，而兇手就是另外一位姑娘。此后，她便被囚禁一間修道院中。探長前來偵詢，律師也前來調查案情。但探長并非在影片首尾出現的那個探長，律師又與被害者是同一個。所以，這樁兇殺案是否真的發生過，是否真的是這位殺手所為，都是不肯定的。需要由觀眾自行思考。本片是導演羅布一格里葉繼《穿越歐洲的快車》后，自編自導的影片。也是他的第一部彩色影片。影片中的框架十分簡單。

幕后花絮

回應我

　　孤獨的少女米婭沉迷于通過陶瓷手召喚靈魂的刺激，但當她面對一個自稱是她死去母親的靈魂時，她釋放了一場超自然力量的瘟疫，并努力決定她可以信任誰，是選擇活著的人還是死者？

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster