哥哥挑食：女人不挑食

★ 9.1 播放：00萬 更新：2026-04-24
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哥哥挑食：女人不挑食.???????????????_????-獨(dú)家高清首發(fā)稀缺資源

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哥哥挑食：女人不挑食.???????????????_????-獨(dú)家高清首發(fā)稀缺資源

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一對(duì)互相捆綁的摯友，在生活崩塌之際，遇見了自稱能治愈一切創(chuàng)傷的神秘男子布萊恩。他的觸碰如毒品般令人上癮，瞬間撫平焦慮與抑郁，卻在溫柔面具下藏著外星掠食者的獠牙。當(dāng)兩人受邀前往他的偏遠(yuǎn)莊園，這場(chǎng)“療愈之旅”徹底失控：觸手、血案、精神操控，一場(chǎng)以愛為名的寄生，正在吞噬他們的靈魂與世界。

有朵云像你

　　隨著雨季的臨近，人已埋、戶已銷的秦天（屈楚蕭 飾）居然“重生”歸來，給了老婆蕭凡（王子文 飾）一個(gè)大大的驚喜，也給了周圍人猝不及防的驚嚇。面對(duì)這個(gè)記憶被清零，卻年輕八歲擁有八塊腹肌的“小奶狗”模樣的秦天，蕭凡決定先撩為敬。兩人在日復(fù)一日的甜蜜互動(dòng)中，曾經(jīng)緊密相連的心也再度同頻。這場(chǎng)奇跡似乎給了他們一次重新書寫愛情的機(jī)會(huì)，倘若可以的話，真希望時(shí)間定格，雨不要停……

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.