無處逢生

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　利用《電子戰場2》留下的片段和一條非常細的故事線，亞歷克斯再次與1998年在非洲東部的機器人雇傭兵作戰。這一次，亞歷克斯發現她有20個半姐妹正在等她回到2077年。中央司令部希望亞歷克斯被活捉并掃描，看看她的DNA是否比正常的DNA更強更有力。但是亞歷克斯可能太苛刻了，不值得去捕捉。

　　羅美蘭、金武烈、尹京浩將繼續合作出演《正直的候選人2》，續集依舊由張幼珍執導。將講述羅美蘭挑戰道知事選-舉引發的故事。他們三位飾演的角色與前作一樣。  計劃下半年開拍。

一名男子在郊區一間空蕩蕩的房子里醒來，沒有記憶，手臂上沾著血跡。當他瘋狂地洗掉血跡時，他發現那不是他的。他在房子周圍發現了一些便利貼，上面寫著:“不要呆在這個房間里。”“別出去。”“別下樓。”他感到困惑，試圖追蹤這些神秘的信息，最終發現了兩件事。他與母親和女兒的記憶有某種聯系，還有住在這所郊區房子里的惡魔。當他越來越接近解開他為什么在那里的謎團時，惡魔變得越來越強大，考驗著他的生存意志。