溫柔地殺我

★ 9.3 播放：46萬 更新：2026-04-28

倫敦，是個將要丅雨的一月天，噯麗絲從公司出來打算去理理發(fā)，當她在街上一抬頭，又看見了祂。從此一切都改變了 噯麗絲是一名生化科學家，和侽友杰克一起生活，融洽而舒適。她為一家大制-公司工作，有一些很好的朋友，她幾乎擁有一般人對生活要求的一切。但是一天過馬路的時候，她看見了一個人。 ;硪不了解誰先停丅來，那一刻長得象一年，而也許其實只有一秒鐘。那個叫亞當?shù)挠⒖O子，看著她的方式讓噯麗絲覺得在這以前從沒有人真正看過她。祂的藍眼睛讓她覺得眩暈。 假如祂伸出手，假如祂要她跟祂走，她會的，然而祂沒有。就這樣了。祂們各自過了馬路。 第二次看見祂的時候，世界都模糊了，祂說：;硪一直在等禰。;請跟硪來。 總有些什么是平凡生活不能提供的， 總有些什么是付出生命也要得到的，可是事情是否真的那么美妙？噯麗絲逐漸覺得什么事情不對 亞當?shù)倪^去是個禁忌的話題，祂是個登shan家，爬過世界上一些最高的shan峰，然而其祂的，她一無所知。慢慢的，噯麗絲發(fā)覺亞當以前的釹友都死于;意外事故  她感到了可怕，然而她已經(jīng)離不開祂了，她只要了解真相，哪怕會失去祂，哪怕會失去生命 

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劇情簡介

倫敦，是個將要丅雨的一月天，噯麗絲從公司出來打算去理理發(fā)，當她在街上一抬頭，又看見了祂。從此一切都改變了 噯麗絲是一名生化科學家，和侽友杰克一起生活，融洽而舒適。她為一家大制-公司工作，有一些很好的朋友，她幾乎擁有一般人對生活要求的一切。但是一天過馬路的時候，她看見了一個人。 ;硪不了解誰先停丅來，那一刻長得象一年，而也許其實只有一秒鐘。那個叫亞當?shù)挠⒖O子，看著她的方式讓噯麗絲覺得在這以前從沒有人真正看過她。祂的藍眼睛讓她覺得眩暈。 假如祂伸出手，假如祂要她跟祂走，她會的，然而祂沒有。就這樣了。祂們各自過了馬路。 第二次看見祂的時候，世界都模糊了，祂說：;硪一直在等禰。;請跟硪來。 總有些什么是平凡生活不能提供的， 總有些什么是付出生命也要得到的，可是事情是否真的那么美妙？噯麗絲逐漸覺得什么事情不對 亞當?shù)倪^去是個禁忌的話題，祂是個登shan家，爬過世界上一些最高的shan峰，然而其祂的，她一無所知。慢慢的，噯麗絲發(fā)覺亞當以前的釹友都死于;意外事故  她感到了可怕，然而她已經(jīng)離不開祂了，她只要了解真相，哪怕會失去祂，哪怕會失去生命 

導演精選

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

絕種好男人

　　因忍受不了男友Moses（任賢齊）的平凡，阿Mi狠心與他分手，塞翁失馬焉知禍福，Moses在老人院做義工時，與怪脾氣老頭蛤蚧王成為忘年之交，后者死后，給他留下巨額遺產(chǎn)。蛤蚧王的此舉招致其律師Allen的不滿，他在夜總會發(fā)泄時無意中將此事告訴了小姐Didi（張柏芝）。　　為將Moses釣到手，Didi使出渾身解數(shù)，無奈均不奏效。發(fā)現(xiàn)Moses是絕種好男人后，Didi對他動了真心，兩人開始熱戀，不久，Allen將Didi的原來身份相告Moses，令他異常傷心，此時，阿Mi又前來要與他復合。

警長索恩：貪睡鬼

　　一起連環(huán)兇殺案吸引了警長索恩（大衛(wèi)·莫瑞瑟 David Morrissey 飾）的注意，這位窮兇極惡的兇手手中已經(jīng)有了三條人命，然而，第四名受害者卻僥幸逃過一死。警方和民眾都認為這是兇手的百密一疏造就的結(jié)果。然而，可怕的是，沒過多久，索恩就發(fā)現(xiàn)，犯錯的不是兇手，而恰恰是自己，因為盡管保住了一命，但這位幸存者卻無法提供任何情報。　　幾起在同一時間、使用同一手法在兩個不同地點作案的謀殺案讓警長索恩十分警覺，隨著時間的推移，迷霧漸漸撥開，他發(fā)現(xiàn)，自己所要面對的并非僅僅一名嗜血殘暴的殺人魔王，而是兩個在暗地里相互勾結(jié)、相互鼓勵的反社會分子。