法老王的地下宮殿
本片由歐州頂級艷星扎拉懷特斯主演，講述荒y-的古埃及時代克力奧帕特拉的傳奇故事。片子的拍攝手法有些特殊，y-亂的場景，SM女奴，角斗士互相殘殺，雖沒有血流滿地的場面，卻可以另觀者感受到古埃及宮廷內(nèi)貴族的高貴，奴隸的低賤，在那里沒有人道，沒有自由，有的只是殘酷的統(tǒng)治者與被統(tǒng)治者。
即刻觀影
劇情賞析
編輯推薦
飆風(fēng)戰(zhàn)警
威爾·史密斯,凱文·克萊恩,肯尼思·布拉納,薩爾瑪·海耶克,M·埃梅特·沃爾什,泰德·拉文,弗雷德里克·范·德·瓦爾,穆賽塔·萬德,Sofia Eng,白靈,嘉絲莉·畢薇斯,Mike H. McGaughy,羅德尼·格蘭特,巴克·泰勒,Dean Rader-Duval ,克里斯蒂安·奧伯特,Orestes Matacena,伊安·艾伯克龍比,伊斯梅爾·伊斯特·卡爾羅,鮑勃·洪諾,Kris Andersson,菲爾霍恩,斯科特·希斯洛普,貝尼·利威,德里克·梅耶斯,Tiger Mendez,Ty O&一位是作風(fēng)矯健、機智幽默的聯(lián)邦特工威斯特（威爾·史密斯 Will Smith 飾），一位是愛耍聰明的易容大師高登（凱文·克萊恩 Kevin Kline 飾），這兩個看似一山不容二虎的狠角色卻被總統(tǒng)同時召見了，原因是授命他們一同追捕一名神秘毒辣的科學(xué)家連環(huán)殺手。威斯特和高登只好在摩擦碰撞中培養(yǎng)默契，竟然很快成為一對絕配拍檔。經(jīng)過調(diào)查，兩人發(fā)現(xiàn)原來幕后黑手竟然是曾經(jīng)的天才博士勒弗里斯（肯尼思·布拉納 Kenneth Branagh 飾），他因在一次實驗中失去雙腿，只好永久呆在輪椅上，然而殘缺的個性與對社會的怨恨讓他開始到處作亂，甚至發(fā)明了一架巨型的蜘蛛機器濫殺無辜，并企圖謀殺總統(tǒng)，統(tǒng)治美國。危機迫在眉睫，威斯特和高登分頭來到新奧爾良，駕駛著一列布滿機關(guān)的火車迎戰(zhàn)蜘蛛博士，一場古怪武器間的斗智斗勇已悄然展開……
破軍X檔案隱身人
白云峰 沐嵐 杜宇航 克拉拉神秘組織在一項禁忌實驗中，意外造成前“破軍”代號繼承人林中飛變成隱身人，從而人間蒸發(fā)。三年后，因一起離奇的案件，新上任的探長吳明進入大家的視野，而他的真實身份竟然是失蹤三年的林中飛。新任破軍蕭健本能識破林中飛的陰謀，卻遭心愛的戀人瑤光懷疑。林中飛一步步謀劃，使得眾人陷入絕境。顯然，他的目標不僅是復(fù)仇。生死時刻，蕭健孤身赴約，與隱身人展開了生死對決…
寬恕我們
莉莉·沙利文,卡蘭·馬爾韋,理查德·勞斯伯格A story of redemption in a world gone dark.
陽光姐妹淘2011
沈恩敬,閔孝琳,姜素拉,南寶拉,陳熙瓊,金時厚,柳好貞,樸真珠,李妍京,金甫美,千玗嬉,李璟榮25年前，高中生任娜美（沈恩京 飾）一家從全羅道搬到漢城，娜美入讀真德女子高中，因方言濃重怯于開口的娜美幸運的得到了同班大姐頭夏春花（姜索拉 飾）的維護，并與圍繞在夏春花周圍的執(zhí)著于雙眼皮的金玫瑰、滿嘴臟話的黃珍熙、夢想成為作家的徐金玉、要成為韓國小姐的俞福姬以及沉默傲慢的美人鄭秀智等五人結(jié)識。在一次和不良少女團對決之后，春花和娜美等七人組成了“Sunny”團體……多年以后，家庭主婦娜美在去醫(yī)院探望母親時偶然重逢了身患絕癥住院的春花，后者希望在生命的最后兩個月內(nèi)，能夠再見當年的Sunny成員。娜美找到金玫瑰，兩人委托私家偵探尋找當年的同伴，而那些關(guān)于青春的回憶，也在一個個熟悉的名姓后面再次被喚醒。
怪談晚餐
樸昭怡,劉多仁,尹賢旻,張光,李周英,金周靈,高恩敏,李素英,吳承姬,張睿恩,張丞延,金太竣,潘素英,申銀秀,金浩貞,金東英,申文成,金太勛,趙在允,崔秀林,樸真雅這部電影將六個故事組合成一個綜合系列，描繪了由于人類錯誤的欲望而發(fā)生的奇異事件。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.