即刻觀影
劇情賞析
編輯推薦
喜羊羊與灰太狼之異國破曉
羊村守護者收到“光之大陸”的緊急求救，毅然踏上危機四伏的營救之路，面對未知的陰謀與強敵。羊狼們是否能撥開迷霧重見光明，光之大陸的命運又將何去何從……光明與黑暗的決戰一觸即發。
神秘島
邁克爾·克雷格,瓊·格林伍德During the US Civil War, Union POWs escape in a balloon and end up stranded on a South Pacific island, inhabited by giant plants and animals. They must use their ingenuity to survive the dangers, and to devise a way to return home. Sequel to '20,000 Leagues Under the Sea' . Written by Stewart M. Clamen
我是山姆
西恩·潘,達科塔·范寧,米歇爾·菲佛,黛安·韋斯特,洛雷塔·迪瓦恩,理查德·希夫,勞拉·鄧恩在星巴克工作的山姆（西恩?潘 Sean Penn 飾），雖已成人，但智力水平只有7歲。一次偶然，他收留了一個流浪女。該女子幫山姆生下了一個女兒后消失得無影無蹤。他給女兒取名叫露西（達科塔?范寧 Dakota Fanning 飾），因為他最喜歡甲殼蟲樂隊的《天空中戴鉆石 的露西》。他非常疼愛自己的孩子。露西在山姆的細心呵護下慢慢地長大了，她發現爸爸不能看懂稍微復雜一些的故事。她在拒絕長大，希望和爸爸一樣。父女倆的生活是那么幸福。地區的教育官員發現了這個特殊的家庭，他們認為山姆沒有能力照顧露西，于是把露西帶走了。傷心極了的山姆一心要掙回露西的撫養權，于是他自以為是的去找該地區最好的律師……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
安娜和世界末日
艾拉·亨特,馬爾科姆·卡明,莎拉·斯維爾,克里斯托弗·萊沃,瑪里·休,本·威金斯,馬克·本頓,保羅·凱耶,肖恩·康納,約翰·溫切斯特,艾拉·賈維斯,杰基·伯德一部混雜音樂劇和喪尸電影的喜劇片，這部僵尸歌舞片的框架基于2010年英國電影學院獎獲獎短片《僵尸音樂劇》（暫譯）（ZombieMusical），講述了一大波僵尸窮追猛打一撮人，他們邊唱邊打，不斷求生的故事。電影取景地為蘇格蘭，由艾拉·亨特出演安娜，馬克·本頓飾演安娜的父親，保羅·凱耶出演反派。
血咒圣痕
藤原啟治冷峻英俊的查爾斯·J·克里斯芬多（置鲇龍太郎 配音）是得到梵蒂岡認證的圣職者，同時也是一名擁有強悍戰斗力的獨立吸血鬼賞金獵人。但他白色身份的另一面，是隱藏著無盡秘密的吸血鬼。他從不吸食獻血，是一名虔誠祈禱的圣徒。不過有一個例外，那就是查爾斯的祖先強尼·雷夫羅（藤原啟治 配音）。雷夫羅當初利用符咒自行墮落成一名吸血鬼，堪稱所有吸血鬼的祖先。他為查爾斯提供源源不斷的血液，每當查爾斯前往世界各地執行任務時，雷夫羅便以“食物”的身份隨行。這次的任務有些奇怪，修女向查爾斯展示了一名神秘少女，而交換的代價便是查爾斯的主人兼食物——雷夫羅…… 本片根據日本漫畫家黑乃奈奈繪的同名原著改編。