素女經(jīng)之挑情寶鑒
相傳素女是皇帝宮中音樂家的女兒，她吸取了數(shù)個(gè)童男的精氣，學(xué)成了長(zhǎng)生不老之術(shù)，登臨仙境！中國(guó)醫(yī)學(xué)之祖黃帝軒轅氏，搜集了一切有關(guān)素女吸取童貞的珍貴資料，再經(jīng)過一番精研，終于著成了一本奇書《素女經(jīng)》。一但可以用性事治病、增進(jìn)健康、更可以用行房時(shí)姿式，練成絕世武功。消息傳出之后，有邪教y-魔、厲昆知道了菰本的素女經(jīng)，被關(guān)裡隱士收藏遂不惜切，務(wù)必把素女經(jīng)搶奪回來，據(jù)為己有！
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穿越愛情線
葉灝基,關(guān)嘉敏,許俊豪,陳康琪寵愛女友的男主角，在好友幫忙下成功求婚。男主角當(dāng)晚高興入眠。至第二天醒來，發(fā)現(xiàn)自己在一個(gè)陌生房間，身邊多了一個(gè)陌生女子，她告知是自己的老婆，驚訝之時(shí)才發(fā)現(xiàn)自己來到三年之后，離奇荒誕的事接踵而來，究竟為何會(huì)這樣？這三年又發(fā)生了什么事？本身的女友又去了哪里呢？
曠野
亨特·杜漢,山姆·賈格,凡妮莎·肖Troubled teens attend a Wilderness Therapy program in Utah's desert, navigating personal challenges amidst the harsh Outback environment.
暗夜鬼抓床
肖娜·麥克唐納,Leah McNamara,羅斯·諾貝爾Paralyzed after a terrible accident, Dana struggles to regain her life and family when she encounters a malevolent ghost in her hospital room.
莫·吉里根：活在當(dāng)下
莫·吉里根Follows British comedian Mo Gilligan as he dishes on fame, family and being British in America.
校園火劫：深淵
未知暴風(fēng)雨中，3名女子學(xué)校的學(xué)生被困在地下坑里，他們必須直面各自的內(nèi)心沖突，奮力求生。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster