聊齋荷花三娘子
聊齋世界，千奇百怪，談狐說怪，詼諧感慨。 《花姑子》 公子安幼興面慈心善，喜歡放生，救了花姑子之母老香獐。一日，安生在林中迷路，陷入蛇精圈套，被吸干了血。棄尸荒野。花姑子殺死蛇精，想盡辦法救活了安生，安生復(fù)活后，感激萬分，請求與花姑子共同生活，無奈，花姑子雖有意于他，但終因不是同類，花姑子只能割愛離舍，含淚決別。 《荷花三娘子》 塾館先生宗湘若酷愛荷花，被荷花三娘子弄得神魂顛倒。洞房燭夜，竟錯與修煉成精的狐女同床。游方和尚咒符將狐精吸入壇內(nèi)，宗湘若初情將其放生。狐女為報恩捨身指點宗湘若找到荷花三娘子。宗湘若感懷依戀，和荷花三娘子奔赴游方和尚洞寺，擔保狐女，救放異類。怪哉！人、獸、仙居然也能共處相好。
即刻觀影
劇情賞析
編輯推薦
麥哲倫
蓋爾·加西亞·貝納爾,達里奧·亞斯貝克·貝納爾,拉斐爾·莫雷斯,托馬斯·阿爾韋斯,保羅·卡拉特雷,羅尼·拉扎羅,Rafa Siguion-Reyna,Ivo Arroja,麥克斯·格羅斯·馬延奇,Roger Alan Koza,奉·卡布雷拉,Hazel Orencio,Daniel Palisa,瓦爾德馬爾·桑托斯,?ngela Ramos,Yvanne Evangelista,Rubén Carballés,Elisabete Pedreira,Sasa Cabalquinto,Amado Arjay麥哲倫是一位航海家，他秉持人道主義精神和對正義的信仰，反抗國王的權(quán)力。然而，當他最終掌管香料艦隊，完成首次環(huán)球航行后，他的旅程又將如何揭開他自身的謎團呢？
邁克·艾普斯：異想天開
邁克·艾普斯Comedian Mike Epps has inked a deal with Netflix for his new special, Delusional, which will premiere on the streamer on January 27.
陰謀：作家之死
本·金斯利,圖娃·諾沃妮,維羅尼卡·費瑞爾,邁克爾·伯恩,伊沃娜·庫斯圖迪奇,埃里克·約翰生,本諾·菲爾曼,桑德拉·迪金森,艾德克拉克庫珀,伊麗莎白·康塞爾,杰森·雷丁頓,安娜瑪麗亞·塞爾達,Gordan Kicic,格雷戈·洛基特,安格斯·肯尼迪,佩塔爾·西里卡本·金斯利將出演[作家之死](Death of an Author，暫譯)，導(dǎo)演丹尼爾·阿爾弗雷森([玩火的女孩])。影片改編自哈坎·奈瑟即將出版的“陰謀”三部曲小說首部，三部曲均將被搬上大銀幕。故事背景設(shè)置在北歐某國，主題則與奈瑟此前小說風格一致，講述了一個交織著犯罪、復(fù)仇、逃亡與救贖的故事。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
少林傳人
狄龍,爾冬升,白彪,艾飛,詹森野心勃勃的九王爺（白彪 飾）企圖謀權(quán)篡位，落敗的皇帝（艾飛 飾）命令兩名侍衛(wèi)將兩個皇子分別抱走，以延續(xù)皇家血脈。大太子（狄龍 飾）被送到了少林寺，三個瘋瘋癲癲的和尚收留了他，替他取名道行，傳授其武功。二太子（爾冬升 飾）則被丞相（谷峰 飾）收為義子，改名為王子泰。 轉(zhuǎn)眼多年過去，某日，王子泰來到了少林寺，偶然遇見了道行，盡管他們彼此都不知道對方的身份和身世，但兩兄弟還是一見如故，很快就結(jié)下了堅實的友誼。九王爺買通了寺廟內(nèi)的僧人，想要將道行和王子泰斬草除根，無奈之中，兩人逃出了少林，踏上了充滿危險的未知之旅。
芝加哥大火記
泰隆·鮑華,艾麗絲·費伊,唐·阿米契,艾麗絲·布雷迪影片主線講述了19世紀一戶普通家庭來到芝加哥并奮斗的故事，影片后半一頭母牛碰倒了提燈點燃了大火，展現(xiàn)了驚人的火災(zāi)場景。