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背后有人2025
鄭文森,王子涵,鄒超軍,劉剛,萬斯佳飛虎神爪
程琢,孫文雪,劉澤宇,任宇,劉宇侏羅紀統治
Eric Roberts,Jack Pearson,Jamie Bernadette一個明星的誕生1976
芭芭拉·史翠珊,克里斯·克里斯托弗森,加里·布塞,奧利弗·克拉克,Marta Heflin,莎莉·柯克蘭德,喬安妮林維爾,保羅·馬祖斯基,斯蒂芬·布魯頓,Donnie Fritts,Booker T. Jones,Jerry McGee,比爾·格雷厄姆,麗塔·考里基,托尼·奧蘭多,伊索·阿克瑞恩,羅伯特·英格蘭德,梅迪·諾曼,Susan Richardson大明嬪妃之逐鹿
宋洋,何杜娟,朱一龍,陳一諾,王藝曈,王春妹〇〇式
九十九黃助,吉田ヤギ同類推薦
加齊號的攻擊
拉納·達格巴提,凱·凱·門農,阿圖爾·庫爾卡尼1971年,印度與巴基斯坦之間在東巴解放戰爭之間的緊張局勢日益緊張,巴基斯坦海軍在一個高級秘密任務中計劃襲擊印度雄偉級航空母艦INS Vikrant,以控制孟加拉灣的水域 。 他們派出一流的潛艇PNS Ghazi(加齊號/勇士號),但被印度潛艇INS Karanj(S21)攔截。 隨后發生水下攻擊。
猶大與黑彌賽亞
丹尼爾·卡盧亞,勒凱斯·斯坦菲爾德,杰西·普萊蒙,多米尼克·菲什巴克,艾什頓·桑德斯,阿爾吉·史密斯,達里爾·布里特-吉布森,里爾·萊爾·哈瓦瑞,多米妮克·索恩,馬丁·辛,阿馬里·切托姆,克里斯·戴維斯,伊恩·達夫,卡勒布·埃伯哈特,羅伯特·朗斯特里特,湯米·拉菲特,特雷勒·希爾,齊納·薩維爾斯,邁克爾·哈瑞蒂,邁克爾·博諾莫,布萊恩·鮑曼,杰梅因·福勒,洛根·弗萊,泰拉·喬伊·史密斯影片改編自真人真事。講述了1960年代美國黑人社團黑豹黨歷史上的真實事件,故事聚焦于Hampton之死,他于1969年被殺,死于芝加哥警察局和FBI組織的一次突襲行動。警方開了80槍,而“黑豹黨”成員一共只開了一槍,這一槍還是來自于一位成員被警方打死后的肌肉收縮。Hampton與懷孕的未婚妻正在睡覺時,頭部被近距離射殺2槍,他當晚被下了藥,根本沒聽見任何警方的動靜,死后尸體被拖進小巷中,年僅21歲。經過審訊,他的死被判定為“正當殺人”,后來在1982年,以185萬美元的賠償數額,達到了民事訴訟的庭外和解。
太空異種2026
魏璐,林妍柔,柳揚,王銘,安澤豪,王勉,鄒瑋祺,孫競爭,朱智煌,劉靜怡未來世界,在一艘名為“蒼穹號”的飛船上,船長梁承天帶領著船員們經常在星際之間從事采集礦物質的買賣,以此來獲得巨大的經濟利益。雖然他們在多次采集過程中偶爾會遇到危險,但最終也都能安全返航。 直到這次,梁承天帶著船員們在銀河系中,意外找到一顆六千萬年前爆炸的超新星,他們在附近采集到了稀有的礦物質,從而能獲得巨額利益。可因利益分配不均,各懷心事的船員們就此踏上返航之旅。 在返航途中“蒼穹號”意外接到了一組未知的求救訊號。他們成功救下了“創世紀號”的生物學家林修遠和他的妻子Angel,而梁承天在救援的過程中也意外受傷。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
情棺
劉尚麟摸金校尉白術為拯救被逼與丞相之子秦庭至配陰婚的意中人蘇青,決定進行招魂儀式,卻未曾想三人徹底陷入陰婚詛咒,身困三生三世的虐戀糾纏……