即刻觀影
劇情賞析
編輯推薦
超級倉鼠3：松鼠奇謀
A little girl has secret superpowers but can’t use them when a highway project is threatening the nearby forest. Desperate to save it, she invents an elaborate lie about an endangered flying squirrel inhabiting the woods.
歲歲平安
劉威葳,段奧娟,蔡沅江,趙虎,楊陽,張太文暴雨將至，轟隆隆的聲音夾雜著人群的呼喊聲砸向操場，正在參加小學田徑比賽的唐平安重重的摔倒在地面，當母親李枚趕到醫院時，醫生卻給了再生一個孩子做骨髓移植的建議，李枚怔怔的站在深不見底的樓道，像是對她過去十幾年最好的懲罰，故事從這里開始。十幾年前，李枚在計劃生育政策下為了生二胎，不得不將襁褓中的女兒歲歲遠送他鄉親戚，不料幾年后，漸漸成熟的歲歲卻成了猥瑣養父趁女兒洗澡時偷偷窺視的對象，看上去多余的歲歲在一次爭吵后離家出走，流浪的女孩卻遇到了新的“父親”劉建凱，一個住在船上打漁為生的男人，以父女相稱，看起來生活就這么好起來了。幾年后，突然一個陌生的女人闖入歲歲的生活，自稱姑媽。其實是李枚兒子平安突發白血病以后，他們想起了被自己拋棄的女兒，通過當年的一絲聯系，輾轉找到了女兒歲歲，這是這個家庭唯一的希望。只是女兒歲歲似乎早已經知道了真相，他們互為朋友，互相試探，互相利用，最終他們都要回家，可是歲歲的家到底在哪里？
奇遇
賈冰,王皓,李夢,鄭合惠子,楊皓宇,翟子路,于洋,費啟鳴,李乃文,馬旭東,鄧帥,李治良,馮滿,郝瀚,李飛,小沈陽,徐浩倫,譚湘文,唐香玉43歲的社畜大叔黃遇奇（賈冰 飾）身體處處亮紅燈，是生活中的背景板，職場上的一塊磚。被人生困住的他因一場意外與18歲的自己互換靈魂！從此，沒有“班味”的中年黃遇奇開啟了創飛人生的一系列操作！不做卷王，享受人生就對了！“少年老成”的18歲黃遇奇（王皓 飾）手握未來劇本，開始實行“富二代養成計劃”！不再叛逆，彌補遺憾就對了！橫沖直撞的他們會如何掌控自己的全新人生？
運鈔大劫案
吳樾,包貝爾,伍允龍,元彪,安志杰影片講述了一場震驚全國的特大運鈔車搶劫案發生后，嫌疑人小寶在無現場犯罪證明情況下金蟬脫殼，然而犯罪的種子已然在心中生根發芽，伴隨著時間野蠻生長，終將在警方的明察秋毫中爆裂迸發……
超凡世界
約翰·邁爾斯,Géza R?hrig,邁克爾·古爾德,海莉·卡邁克爾,奈德·丹內利,赫立德·阿卜杜拉,艾力克·高敦,塔尼婭·雷諾茲,塔格·墨菲,揚·貝弗特,凱特·迪基,薩姆·盧維克,阿德里安·勞林斯,Slavko Labovic,喬納森·凱斯,伯恩·戈曼,西蒙·曼勇達,蒂姆· 普萊斯特,道格拉斯·羅素,拉多米爾·尼科利奇帶觀眾走入衰敗中的歐洲，來一趟超凡之旅。集結了黑色幽默和奇幻故事，講述一群人在碰上了一位陌生人之后，他們的生活開始崩壞。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.