心太狂

? 2.4 播放:40萬 2026-04-23

性感美艷的索女貝絲以持械行劫為職業,辦事又快又狠,加上敢作敢為的拍暫無內容檔潘勞,和處變不驚的首領保羅,形成無敵鐵三角,三人的關系糾纏不清,終日沉淪毒品、暴力、情欲,這位索女偶爾在酒吧結識善良正義的小學教師亞倫,一暫無內容切似乎開始轉變,但江湖仇殺令她醒覺,回歸平淡只是一場夢……

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劇情提要

性感美艷的索女貝絲以持械行劫為職業,辦事又快又狠,加上敢作敢為的拍暫無內容檔潘勞,和處變不驚的首領保羅,形成無敵鐵三角,三人的關系糾纏不清,終日沉淪毒品、暴力、情欲,這位索女偶爾在酒吧結識善良正義的小學教師亞倫,一暫無內容切似乎開始轉變,但江湖仇殺令她醒覺,回歸平淡只是一場夢……

幕后花絮

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

中轉停留

  影片講述一對生活失意的閨蜜在旅行散心的途中遇到一位帥哥,兩人開始使盡渾身解數博得他的好感,閨蜜從此變仇人…