狗臉的歲月

★ 6.9 播放：69萬(wàn) 更新：2026-04-24

20世紀(jì)50年代，小男孩英格瑪（AntonGlanzelius飾）和體弱多病的媽媽（AnkiLidén飾）、經(jīng)常欺負(fù)自己的哥哥以及心愛(ài)的小狗，住在瑞典某個(gè)平靜的小鎮(zhèn)上。他的父親離家而去，母親又長(zhǎng)年為疾病所困擾。兩個(gè)小男孩根本不能融洽相處，經(jīng)常在家里打得沸反盈天。不堪其擾的母親決定將他們分別送到親戚家寄養(yǎng)。如小狗一樣被趕出家的英格瑪，卻由此見(jiàn)到了另一片廣闊的天空……本片榮獲1987年丹麥影評(píng)人獎(jiǎng)最佳歐洲影片獎(jiǎng)、1988年波士頓影評(píng)人社團(tuán)獎(jiǎng)最佳外語(yǔ)片獎(jiǎng)、1988年金球獎(jiǎng)最佳外語(yǔ)片獎(jiǎng)、1987年西雅圖國(guó)際電影節(jié)最佳影片獎(jiǎng)、1986年瑞典金像獎(jiǎng)最佳男主角（AntonGlanzelius）和最佳影片。

在線播放

劇情簡(jiǎn)介

20世紀(jì)50年代，小男孩英格瑪（AntonGlanzelius飾）和體弱多病的媽媽（AnkiLidén飾）、經(jīng)常欺負(fù)自己的哥哥以及心愛(ài)的小狗，住在瑞典某個(gè)平靜的小鎮(zhèn)上。他的父親離家而去，母親又長(zhǎng)年為疾病所困擾。兩個(gè)小男孩根本不能融洽相處，經(jīng)常在家里打得沸反盈天。不堪其擾的母親決定將他們分別送到親戚家寄養(yǎng)。如小狗一樣被趕出家的英格瑪，卻由此見(jiàn)到了另一片廣闊的天空……本片榮獲1987年丹麥影評(píng)人獎(jiǎng)最佳歐洲影片獎(jiǎng)、1988年波士頓影評(píng)人社團(tuán)獎(jiǎng)最佳外語(yǔ)片獎(jiǎng)、1988年金球獎(jiǎng)最佳外語(yǔ)片獎(jiǎng)、1987年西雅圖國(guó)際電影節(jié)最佳影片獎(jiǎng)、1986年瑞典金像獎(jiǎng)最佳男主角（AntonGlanzelius）和最佳影片。

導(dǎo)演精選

鳴槍警告

　　一位單身母親和她的小女兒努力維持生計(jì)，直到他們從祖父那里繼承了農(nóng)舍。 當(dāng)一個(gè)家族企業(yè)的競(jìng)爭(zhēng)對(duì)手派武裝人員用武力將水權(quán)帶到農(nóng)場(chǎng)的小溪時(shí)，情況開(kāi)始失控。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

僵尸參將2

清末，記者黛雪揭發(fā)妖道利用僵尸販運(yùn)少女。幕后黑手是明朝后裔七公主，她借販賣少女籌復(fù)國(guó)經(jīng)費(fèi)，并將哈布參將煉為僵尸。暴露后，七公主放出吸血鬼威廉，哈布恢復(fù)意識(shí)迎戰(zhàn)。危急時(shí)師兄石敢當(dāng)趕到，眾人合力鏟除七公主與威廉。