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劇情提要
海盜獵人上尉愛德華·雷諾茲和他的金發(fā)大副朱爾斯·斯蒂爾(Jules Steel)回到這里,他們被一位陰暗的總督招募,找到了一位陰險(xiǎn)的中國女皇海盜,取名西京,和她的一伙阿拉伯殺手,他們正試圖讓世界上最可怕的海盜維克多·斯塔內(nèi)蒂(Victor Stagnetti)從墳?zāi)估飶?fù)活統(tǒng)治世界。當(dāng)朱爾斯被希廷俘虜并奴役時(shí),雷諾茲必須依靠他的劍術(shù)盟友奧利維亞來對付圍繞著致命的希廷的超自然力量。
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牧群
當(dāng)邪惡潛伏時(shí)
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迪恩·文特斯,Ashley Laurence,Doug Bradley列寧格勒牛仔征美記
馬蒂·佩龍帕,吉姆·賈木許,卡里·瓦納寧,Sakke J?rvenp??,薩卡里·庫斯曼嫩,西盧·塞佩萊,馬托·瓦爾托寧,奧利·圖奧米寧,理查德·伯斯大器晚成2023
凱倫·吉蘭,瑪爾戈扎塔·扎亞茨夫斯卡,杰梅因·福勒,塔利亞·巴爾薩姆,凱文·尼龍,麥克斯·詹金斯,拉提法·赫爾德地下角斗士
戴拉·紹,黎唯,黎明末日逃生2:遷移
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老板和小可愛
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亞歷山德拉·達(dá)達(dá)里奧,柯瑞·福格爾瑪尼斯,邁爾斯·古鐵雷斯-賴?yán)?科爾·斯普羅斯,莉娜·鄧納姆,艾米·蘭德克,萊克西·安德伍德,麗莎·山田,賈德森·米爾斯,布萊恩·邁克爾·史密斯基努貓
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蘆田愛菜,岡田將生,役所廣司,市村正親,吉田鋼太郎,齊藤由貴,松重豐,山路和弘,柄本時(shí)生,青木崇高,染谷將太,白山乃愛,白石加代子牙狼大河
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不被愛也沒關(guān)系
本片是一部以大學(xué)生宮田陽彩(南沙良 飾)為主角的“青春逃亡故事”。陽彩一邊上學(xué),一邊從早到晚忙于打工和家務(wù)。雖然母親并未對她施加暴力,但她一直被母親口中的“愛”束縛著,在這種溫柔卻令人窒息的絕望和對人生的失落感中度日。她定期給母親送錢,照顧她,卻始終感受不到真正的自由和幸福。某天,陽彩在打工的地方邂逅了同班同學(xué)江永雅(馬場富美加 飾)。這次相遇,悄然改變了陽彩的人生軌跡。
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster