灰
A carpenter Metin Ali (Alperen Duymaz) and Gokce, (Funda Eryigit) the wife of the owner of the publishing house. Gokce will immerse herself in the world created by the book she has received, and her life will be moved to another dimension with the carpenter she is chasing.
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惡鬼病毒
村重杏奈,太田將熙,桑山隆太,華村飛鳥,吉田伶香,角由紀子,鳥之海凪紗,田中要次改編自二宮敦人的超人氣恐怖小說《惡鬼病毒》，講述YouTuber內川智樹帶著他的朋友日名子、颯太和奈々枝來到傳聞中有著神秘失蹤事件的舊石尾村拍攝一段調查都市傳說的視頻。幾天后，警方在村外的一條隧道附近發現了四人租用的汽車，而在現場發現的一臺攝像機則記錄下了令人震驚的畫面。緊鎖的房屋、身著武裝制服的兒童、被關起來的成年人，以及在新月之夜發病的成年人......這個村子里究竟發生了什么？
狂龍伏妖
陳浩民,喬牧,肖明玉赤屠龍師兄三人得知祖師爺被將要化成蛟龍的蛟妖所傷，于是自告奮勇去降妖。師兄來到升平鎮，遇到何府搶嬰，得知從骷髏精追回嬰兒的妖人可兒，是年輕時與“梅花鹿精”素素之女。可兒告知母親被蛟妖控制在陰風洞。升平鎮內也是怪事連連，許家兒女行為異常，無憂和常樂布下天羅地網捉拿蝙蝠精；另一邊荒郊大宅赤屠龍救下少爺榮華。蛟妖獲悉得知強敵當前，雙方展開激斗，因蛟妖法力強大，赤屠龍身受重傷；他取出祖師爺所贈的錦囊，悟出真諦，入蛟妖體內將其殲滅。素素吐出修練的仙珠救下奄奄一息的赤屠龍，重返深山望有朝一日能得道成仙。
九龍挎刀去白馬
羅立群,黃濤一把刀守一個信念，老兵從九龍鎮殺向白馬關，冒死押送之路步步藏殺機。絕境中他背水一戰，縱敵人環伺，仍以諾言為重，且看其如何突出重圍！
葉甫蓋尼·奧涅金
弗拉季米爾·弗多維琴科夫,阿廖娜·克梅爾尼茨卡亞,Liza Moryak,維克多·杜布朗拉沃夫,塔基楊娜·柳達耶娃葉甫蓋尼·奧涅金的生活很奢華：舞會、招待會、戲劇首演以及首都能為年輕人提供的其他娛樂活動。但社交生活早已讓他疲憊不堪，因此他認為住在村里的叔叔生病的消息是一個逃離令人厭惡的世界的機會。然而，到了莊園后，奧涅金得知一個親戚去世了，但這并沒有讓葉甫蓋尼太難過。他的經濟狀況非常糟糕，叔叔很有錢，卻沒有其他繼承人。奧涅金把自己關在莊園里，避開鄰居，鄰居們很快就開始稱他為怪人。葉甫蓋尼過著漫無目的的孤獨生活，直到從國外回來的莊園主人出現在鄰近的莊園--一個年輕、熱情、對生活尚未滿足的連斯基，他把葉甫蓋尼介紹給了塔吉婭娜和奧爾加·拉林姐妹。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
愛的藝術
Hannah Taylor-Gordon,杰奎琳·比塞特,娜塔麗·特納故事發生于20世紀的德國，在一片茂密的森林里，隱藏著一所不為人知的神秘學校。在學校里，生活著一群年輕的女孩們，沒有人知道她們是從哪里來的，就連她們自己也不太清楚。所有人仿佛一生下來就已經身在這閉塞的高墻之內，完全不知道外面還有著更廣闊的的世界。 海達拉（瑪麗·奈姬 Mary Nighy 飾）、埃倫娜（漢娜·泰勒-高登 Hannah Taylor-Gordon 飾）、薇拉（娜塔麗·特納 Natalia Tena 飾）和雷恩（安雅·拉希里 Anya Lahiri 飾）均是這所學校里的學生，當她們開始質疑起她們的生活和過去時，原本維系著學校內事務正常運作的條條框框都開始失去功能，兩個女生的神秘失蹤更是為此增添了不安定的因素。