性別能有多好笑呢?

9.9 播放:58萬 更新:2026-04-26

意大利式性喜劇,迪諾 里西指導,勞拉 安托妮莉主演;男女之間的情愛小故事合集 6個小故事

播放通道

詳細簡介

意大利式性喜劇,迪諾 里西指導,勞拉 安托妮莉主演;男女之間的情愛小故事合集 6個小故事

同類推薦

最后決戰

皮埃爾·若利韋,讓·布伊茲,讓·雷諾

  此片是盧貝松再影壇還沒沒無聞時,憑著一腔熱血,旺盛活力與爆發力, 突破一切傳統,掙脫一切商業機制下的樊籠,冒著無色彩,無對話,無明星等大諱所完成的電影。當影片完成時,因宣傳無門,于是盧貝松帶著這部影片參加瑞士阿沃基影展,一舉拿下評審特別大獎及影評人獎,因而打開他的國際知名度。解剖核子戰后的文明廢墟,因為無色彩,所以這是一部黑白色調的電影。

幻想游戲

久本雅美,板野友美,田中幸太朗,仙石南

  早見真紀子是在大型建筑承包商就職的精英女強人。早見專注工作,目前單身,但她其實是“深夜尋找內衣”的網站背后神秘的女神。她把貼身衣物藏在街道,給提示讓人們去尋找。有一天,早見遇見了在公園露宿的葵。葵是網站“向丈夫復仇”上的一名頗有影響力的博主。她趁丈夫在外工作,秘密向丈夫復仇。在現代網絡文化之下面對復雜的事件,兩個女人關系漸漸密切。

郊區男孩 3

Kery James,Bakary Diombera Bakary Diombera,Jammeh Diangana

...

驚蟄無聲

易烊千璽,朱一龍,宋佳,雷佳音,楊冪,張譯,劉詩詩,劉耀文,林博洋,潘斌龍,姚安娜,段奕宏,陳明昊,江奇霖,王圣迪,黃炎,飛凡

 你看不見的地方,諜戰從未停止交鋒!我國最新戰機的涉密信息外泄,國家安全面臨威脅,國安小組迅速行動抓捕間諜,在信任與背叛的漩渦中,一場驚心博弈悄然上演……

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.