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同款熱播
豬扒大聯盟
李嘉欣,莫文蔚,林熙蕾,關秀媚,陳小春,馮德倫,黃浩然,杜德偉,郭少蕓,陳鍵鋒,許紹雄,盧海鵬,杜汶澤 Chapman To,鄒凱光,葉競生電話公司里有四位全棟大廈聞名的“豬扒”:患罕見脫發癥導致頭發稀疏的阿Mo(李嘉欣 飾)、荷爾蒙過剩的保安主管蘇眉(莫文蔚 飾)、臉上有大塊惡心胎記的計算機部員工“態貓”(林熙蕾 飾)、哨牙蒙眼的秘書阿刨(關秀媚 飾)。四個“豬扒”在公司雖然工作努力,但因樣子問題經常遭到宣傳部主管“妖姬”嘲笑和排擠,四人敢怒不敢言,直到一天公司因經濟不景氣四人同時遭到了解雇。公司設計師春春(陳小春 飾)可憐四人的遭遇,與細龜和阿倫想出了一條別出心裁的妙計,幫助四人籌款整容。春春的妙計能否湊效,四位“豬扒”又能否咸魚翻身?
新萬圣節2
雪莉·穆恩·贊比,Chase Wright Vanek,絲柯·泰勒-考普頓,布拉德·道里夫,卡羅琳·威廉姆斯,馬爾科姆·麥克道威爾故事發生在位于伊利諾斯州的哈登菲爾德小鎮。臭名昭著的殺人狂邁克爾(泰勒·梅恩 Tyler Mane 飾)終于倒在了少女勞利(絲柯·泰勒-考普頓 Scout Taylor-Compton 飾)的槍下,然而之后他的尸體卻神秘的消失了,與此同時,在醫院里,出現了一個身份詭異而又神秘的病人,又一場血腥的殺戮即將拉開序幕。 幸運的勞利再一次的從邁克爾的屠刀下死里逃生,可是,巨大的陰影始終籠罩在她的周圍,因為她知道,邁克爾一天不死,就總會再度回到她的身邊。一晃眼一年過去,萬圣節又要來了,與此同時將要舉辦的,是死難者的紀念會。勞利能夠感覺到,一雙熟悉的眼睛正在默默的注視著她。
遮天劇場版背棺戰王騰
葉凡與王騰雙天驕宿命對決,北原王家來勢洶洶,姬家老祖心懷鬼胎,姬紫月淪為家族聯姻工具,葉凡身陷眾矢之的。荒古圣體碰撞亂古傳承,誰才具真正大帝之姿?
遮天劇場版背棺戰王騰
葉凡與王騰雙天驕宿命對決,北原王家來勢洶洶,姬家老祖心懷鬼胎,姬紫月淪為家族聯姻工具,葉凡身陷眾矢之的?;墓攀ンw碰撞亂古傳承,誰才具真正大帝之姿?
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
世界末日2022
安妮·海瑟薇,杰瑞米·斯特朗,安東尼·霍普金斯,杰西卡·查斯坦,多米尼克·隆巴多茲,托芙·菲爾德舒,瑪西婭·讓·庫爾茨,泰迪·庫盧卡,邁克爾·班克斯,安德魯·波爾克世界末日是一部非常個人化的電影,展示了家庭的力量和一代人對美國夢的追求