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古川登志夫,平松広和,関俊彥,荘真由美,塩沢兼人AI 愛上你
平采娜·樂維瑟派布恩,馬里奧·毛瑞爾,薩哈賈克·波斯安吉特,大衛·阿薩瓦納德,Watthanachai Treedecha,Thaweesak Thananan,Kenneth Won,Michael S. New,James Laver,Ladapa Ratchataamonchot,Chris Wegoda,Fuang R. Puttarangsi,Manita Chobchuen,Siri Tveter,Hassaya Isariyasereekul瘋狂侏羅紀
梅蘭尼·格里菲斯,簡·林奇,威廉·鮑德溫洛奇
西爾維斯特·史泰龍,塔莉婭·夏爾,伯特·楊,卡爾·韋瑟斯,布吉斯·梅迪斯絕地狂奔
袁宗軒,沈芷萱,曹安迪方法演技
姜澯熙,李東輝同類推薦
銀色星球
安德烈·瑟韋林,杰吉·特雷拉,格拉齊娜·迪拉格,瓦爾德馬·科納克基,伊沃娜·別爾斯卡,耶日·格拉萊克,埃爾茲別塔·卡爾科什卡,克里斯提娜·楊達,馬切伊·古拉伊,亨里克·塔拉爾,萊謝克·德盧戈什,讓·弗里茲,亨里克·比斯塔,維斯瓦夫·科馬薩,耶日·戈林斯基改編自叔叔杰西·祖拉斯基(Jerzy Zulawski)的科幻小說杰作《月球三部曲》,故事描述人類逃離毀滅的地球,飛船墜落在銀色星球上,不久后有人開始在星球上進行造神運動,然信徒分化后一派奉此外來政權為神,另一派則視之為魔,人性貪婪的劣根性,在這星球上暴露的一覽無遺…… 本片被譽為是“一部拍給另一個世界的人看的電影”。影評人一致推崇這部片是導演安德烈·祖拉斯基電影生涯中,最具史觀、野心勃勃且兼具后現代主義的科幻哲思電影,也是他重回故鄉波蘭拍攝的歸鄉代表作。 這部充滿爭議的杰作,安德烈以非常風格化又帶著原始情欲的方式,傳達其所鐘愛的命題:一則后現代主義式的寓言。故事的結局,地球人不但改變原本的內在,連外在也慢慢變成介于人與鳥的中間物種。這種由內而外,進而轉化成另一物種的隱喻,也為這部猶如政治寓言的科幻史詩,更添加了奇幻色彩。 1977年當影片拍好八成時,新上任的波蘭文化助理大臣禁止此片拍攝,并下令銷毀場景、布置和服裝,直到1986年波蘭民主化,本片才跟著其它禁片出土。本片同時也發掘了戛納影后克里斯提娜·楊達的潛能,拍攝這部處女作不久,她成為基耶斯洛夫斯基及瓦伊達最喜愛的女演員,也成為波蘭的國民影后。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
惡鬼病毒
村重杏奈,太田將熙,桑山隆太,華村飛鳥,吉田伶香,角由紀子,鳥之海凪紗,田中要次改編自二宮敦人的超人氣恐怖小說《惡鬼病毒》,講述YouTuber內川智樹帶著他的朋友日名子、颯太和奈々枝來到傳聞中有著神秘失蹤事件的舊石尾村拍攝一段調查都市傳說的視頻。幾天后,警方在村外的一條隧道附近發現了四人租用的汽車,而在現場發現的一臺攝像機則記錄下了令人震驚的畫面。緊鎖的房屋、身著武裝制服的兒童、被關起來的成年人,以及在新月之夜發病的成年人......這個村子里究竟發生了什么?
殺出銀河系
Edward Albert星際聯盟收到探索飛船發出的求救信號后立刻派遣星際精英特種小組前去營救,由于機器故障飛船迫降到那個荒蕪且怪異的星球上。不久后,船員在星球上發現了那艘廢棄的飛船,但里面的飛行員都莫名其妙的死去,為了防止尸體異變,他們決定把尸體全部銷毀。隨后船員們發現了金字塔般的巨大建筑物,然而噩夢從此開始,他們釋放了金字塔中所有的嗜血星際怪獸,星球瞬間被恐怖包圍,喪尸怪獸一并向人們襲來,他們該如何挽救自己…… (此片精彩的沒話說,星球大戰般的場景加異型的特效以及著名的cult片演員們齊聚在一塊所產生的名詞是什么?那就是經典~! 這部B級片的經典程度已經影響到未來科幻恐怖電影的發展前途,像黑洞表面之類的電影就是對其進行無恥的抄襲。影片甚至影響了*本成人動漫的一個類型,那就是觸手系漫畫~片中有經典的蠕蟲強*金發奶霸的震撼鏡頭,這就是八十年代恐怖片的魅力……)
FPS
道本成美,泉知束,米澤成美,南久松真奈,巖永ひひお佐藤鈴(道本成美)為了逃避母親(南久松真奈)的過度干涉,在川上信夫(泉知束)的引導下,前往東京的一處房產進行內覽。盡管被告知前住戶山本孝雄(巖永ひひお)因欠租而失蹤,鈴仍被這處優質房產所吸引。信夫提議她單獨繼續內覽時,鈴順從了他的建議。然而,她在房中聽到某種不祥的聲音,被引導著打開了一扇通往異世界的門,隨后被強行拉了進去。醒來后,她發現自己身處一座荒廢的巨大建筑中,迷茫中遇到了自稱山本孝雄的男子。這個空間被某個怪物所支配,既無法逃脫,也無法死去,真正的無間地獄。