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影片講述擁有一雙明眸的朱芷欣(吳千語 飾),卻有一對(duì)失明父母:甘笑紅(惠英紅 飾)、朱國(guó)強(qiáng)(吳岱融 飾)。乖巧懂事的她從小便成為父母的“眼睛”,為父母描繪世間的形狀與顏色。隨著女孩青春期的到來,熱愛繪畫并天賦異稟的她渴望到國(guó)外攻讀藝術(shù),觀念的沖突、頻繁的爭(zhēng)吵使家庭氣氛降到了冰點(diǎn)。在機(jī)會(huì)來臨之際,芷欣將會(huì)在家庭和夢(mèng)想之間作何選擇?
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保護(hù)者2025
米拉·喬沃維奇,馬修·莫迪恩,D·B·斯威尼,唐·哈維,邁克爾·斯塔爾-大衛(wèi),濱村洋子,特夏斯·巴特爾,伊莎貝爾·邁爾斯,布魯克林·蘇丹諾,麗迪雅·赫爾,澤維爾·埃斯特拉達(dá),茲亞·格拉卡,Telles Alberto Rene,Lizeth Lopez,Gabriel Sloyer,Arica Himmel,Justin Hurr,Eric Weiss,Shane Williams,Nick Genta死亡陰影
Gilles Barret,Margaux Devy,Sylvain Dubois維克多·弗蘭肯斯坦
詹姆斯·麥卡沃伊,丹尼爾·雷德克里夫,杰西卡·布朗·芬德利,安德魯·斯科特,馬克·加蒂斯,露易絲·布瑞麗,丹尼爾·梅斯,弗萊迪·福克斯,布隆森·韋伯,埃利斯戴爾·皮特里,斯賓塞·懷爾丁,卡勒姆·特納安·李的遺囑
阿曼達(dá)·塞弗里德,托馬辛·麥肯齊,劉易斯·普爾曼,克里斯托弗·阿波特,蒂姆·布雷克·尼爾森,馬修·比爾德,斯塔西·馬汀,維奧拉·佩雷特約翰,斯科特·漢迪,斯科特·亞歷山大·楊,杰米·博吉奧,米麗-蘿絲·克若斯莉,大衛(wèi)·卡勒密探2025
瓦格納·馬拉,烏多·基爾,加布里埃爾·利昂納,馬麗婭·費(fèi)爾南達(dá)·康基多,艾米拉·蓋德斯,愛麗絲·卡瓦略,托馬斯·阿基諾,伊薩貝爾·祖拉,蘇茜·洛佩斯,若昂·維托爾·席爾瓦,羅尼·韋列拉,魯本斯·桑托斯,盧西亞諾·基羅利,布達(dá)·里拉,吉米·阿斯特利,羅貝里奧·迪奧熱內(nèi)斯,伊戈?duì)枴さ隆ぐ谌?塔尼婭·瑪麗亞,勞拉·盧費(fèi)西,吉安妮·阿爾布開克瑪?shù)铝盏默數(shù)铝?/h3>海倫娜·霍華德,米蘭達(dá)·裘麗,莫莉·帕克,奧奎·奧克波克瓦西里,蘇妮特·瑪尼,費(fèi)利佩·博尼拉,麗莎·薩爾斯,寇蒂斯·庫克,雷納爾多·皮涅拉,邁拉·盧克利希亞·泰勒,茱莉·塞爾達(dá),達(dá)娜·埃斯科爾森,蘇澤特·古恩,邁克·霍奇,亞歷山德拉·塔塔爾斯基
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
賭俠1999
阿king(劉德華 飾)當(dāng)年因出千被捕,事實(shí)上他是被人陷害的。出獄時(shí)他為他接風(fēng)的是崇拜他已久的化骨龍(張家輝 飾),化骨龍是個(gè)終日無所事事的人,希望能跟著king有所作為。出獄后的king到處尋找已懷孕的妻子(張慧儀 飾),與當(dāng)日的得力助手(張錦程 飾), 后來King與化骨龍妹妹晴(朱茵 飾)產(chǎn)生了好感。 King得到Rocky(吳志雄 飾)的幫助上了賭船,碰見了多年前便想交手的馬交文(高捷 飾),king想與之一決高低,卻遭到馬交文的手下省鏡(李子雄 飾)陷害,揭開了king的底細(xì)更想進(jìn)一步迫害king,king又能否躲過劫數(shù)呢?
時(shí)間里的愛人
前途無量的女主廚Almut(弗洛倫絲·皮尤 Florence Pugh 飾),遇上失婚男子Tobias(安德魯·加菲爾德 Andrew Garfield 飾),一次邂逅,改變了余生。就在兩人相愛成家之后,一個(gè)突如其來的真相,也將撼動(dòng)他們幸福的生活……