失禁之錯

? 6.5 播放：68萬 2026-04-22
主演：水城奈緒 

由水城奈緒主演的女主外出買東西，卻尿急難以抑制，最終快趕到家門時，終于憋不住了，只能趴在墻角尿在褲子上，而這一幕剛好被鄰居發(fā)現(xiàn)，并拍攝了視頻，邪惡的鄰居以此要挾女主，而女主不得不因此一次又一次的滿足鄰居變態(tài)的要求.....

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? 播放 失禁之錯

劇情提要

由水城奈緒主演的女主外出買東西，卻尿急難以抑制，最終快趕到家門時，終于憋不住了，只能趴在墻角尿在褲子上，而這一幕剛好被鄰居發(fā)現(xiàn)，并拍攝了視頻，邪惡的鄰居以此要挾女主，而女主不得不因此一次又一次的滿足鄰居變態(tài)的要求.....

幕后花絮

夢鄉(xiāng)2019

　　這部新片名為《夢鄉(xiāng)》（Dreamland），由曾在圣丹斯電影節(jié)摘得評審團特別獎的導演Miles Joris-Peyrafitte執(zhí)導。故事背景設定在20世紀30年代的美國，經濟蕭條和沙塵暴肆虐著美國的普通百姓，一個15歲的男孩為了高額的賞金開始漫漫追捕路，他的目標正是瑪歌特·羅比飾演的女劫匪。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.