激情家族

　　只是一場意外，卻又超乎意外。駕車撞死一條狗，男子與妻女來到陌生車房。憑其義肢走動時的聲響，車房工認出司機或是當年施酷刑的獄吏。仇人送上門，雪恨更待何時。然而，獄中受折磨時雙眼被蒙，嫌疑犯是行刑者確實無誤？從早到晚奔波一輪，找來幾個獄友確認俘虜身份，痛苦回憶涌上心頭。在無 垠沙漠等待把他活埋私了，有若在人性荒原等待果陀，替天行道又是否問心無愧？以懸疑驚栗布局，暗黑寫實的人物故事來自巴納希獄中親見親聞，將苛政、濫權、以暴易暴一一置于道德倫理的天秤上，丈量人性輕重；悲憤中不失幽默，連消帶打貪污賄賂之風。一面金棕櫚獎，絕非意外。

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

一名冷酷且訓練有素的殺手，自幼被培養于一個名為 The Internship 的 CIA 最高機密項目中。多年后，她決定摧毀這個奪走自己青春的機構。她召集昔日的“實習生”同伴，發動了一場血腥的反抗行動——迫使 CIA 動用同樣致命的力量來鎮壓他們。

　　在一場暴風雨中，兩個罪犯找到了一個看似廢棄的農場小屋避雨。他們挾持了里面的居民，但沒有想到，這個看似廢棄的小屋有著自己的秘密......