塔蒂亞娜

7.8 播放:75萬 2026-04-24
主演:未知

英國三級片《塔蒂亞娜》

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海倫·麥克洛瑞,杰瑞米·艾文,菲比·福克斯,利安娜·貝斯特,阿德里安·勞林斯,奧克利·佩德加斯特,萊拉·德·梅扎,海莉·喬安妮·培根,奈德·丹內利,阿米莉婭·皮金,豪爾赫·萊昂·馬丁內斯,裘德·懷特,皮普·皮爾斯,理查德·班克斯,阿爾菲·西蒙斯

  1941年,第二次世界大戰如火如荼。英國倫敦遭到納粹法西斯的毀滅性轟炸,成千上萬的人流離失所,更有無數兒童淪為孤兒。為了躲避戰火的蹂躪,陸軍軍官的妻子海倫·霍格女士(海倫·麥克洛瑞 Helen McCrory 飾)與伊芙·帕金斯(菲比·福克斯 Phoebe Fox 飾)帶著孤兒們登上列車,輾轉來到一處偏遠所在避難。經過長途跋涉,她們抵達目的地并被安排在臨時的占時軍隊醫院落腳。只不過它的前身這里正是那個黑衣女人橫行盤桓的Eel Marsh House。才脫狼穴,又入虎口,驚慌失措的女人和孩子們即將迎來比戰爭更為可怕的噩夢,惡靈的殺戮有序展開……  本片根據英國小說家蘇珊·希爾(Susan Hill)的暢銷小說改編。

靈魂密室

Katherine McNamara,Dove Cameron,Braeden Lemasters,Ryan McCartan,Tiffany Espensen

  一位邪惡的馬戲團老板在幾位高中生的小鎮上演“鬼屋”,他們必須抗拒他的魔咒。

煙花1995

山崎裕太,奧菜惠,反田孝幸,蘭迪·黑文斯,小橋賢兒,櫻木研仁,麻木久仁子,光石研,小山勵基,山崎一,深浦加奈子,田口智朗,石井苗子,酒井敏也,蛭子能收,中島陽子

 小學生典道(山崎裕太)與佑價(反田孝幸)等同伴們就煙花升騰而起時是扁是圓展開爭論,無果后,眾人困惑起來,為了將困惑解決,他們決定趁夏季花火大會的機會去燃放煙花的燈塔上一探究竟。典道和佑價同時暗戀的同學,早熟的少女奈砂(奧菜惠)因為父母離異懷起心事。一場在典道和佑價之間進行的五十米游泳比賽結束后,奈砂單約勝利者佑價陪她去看煙花,不想對方最終決定同大伙一起去燈塔。奈砂最終拉上比賽失敗的典道上路,目的地卻變成了火車站甚至更遠的東京。

失蹤謎案

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  一對夫婦入住了一家度假酒店,幾個小時后,他們的女兒失蹤了.隨著尋找他們女兒的時間的推移,越來越多的真相與謎題出現.....

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

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  卡洛比安奇和多里亞諾是兩個生活拮據的五十多歲男人,他們秉持著“絕不錯過最后一杯酒”的人生哲學。在一次偶然的機會中,他們結識了朱利奧,一位性格內向、對人生感到迷茫的建筑學學生。這場看似不經意的邂逅,卻逐漸演變成了一場穿越威尼斯平原的混亂公路旅行。  在旅途中,糟糕的建議、宿醉的困擾以及意料之外的友情,不斷挑戰朱利奧對人生和愛情的原有計劃。這場旅程不僅重新定義了他們彼此的生活,也讓朱利奧開始重新思考自己的未來方向。