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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
冊殺
牛駿峰,尚語賢,白恩,王奎榮,胡耘豪,李光復,喻亢,馬渝捷,徐筠,鄧志浩,鄔倩,曲戈,陳俊安,姜琦,時銘健,朱海軍李氏家族不曾向外界開放的藏書樓臨淵閣突然遭竊，偵探白飛受邀前來協助調查。在神秘的密室現場，他發現這看似普通的盜竊案背后危機四伏，人人都似乎懷揣著不可告人的秘密。
情婦
約翰·馬加羅,琪森·哈蒙,艾莉亞·馬佐爾夫Newlyweds move into their dream home where they discover a collection of 100-year-old letters from a young woman who committed suicide after being abandoned by the owner of the home.
如何大賺一筆
格倫·鮑威爾,瑪格麗特·庫里,杰西卡·亨維克,比爾·坎普,扎克·伍茲,托弗·格雷斯,艾德·哈里斯,詹姆斯·弗蘭切威勒,拉夫·洛,史蒂夫·馬克,露露·泰勒,安德烈·雅各布斯,Maggie Toomey,肖恩·卡梅倫·邁克爾,內爾·威廉姆斯,喬·瓦茲,馬丁·門羅,比安卡·阿瑪托,羅伯特·霍布斯,伊桑·桑德斯本是豪門繼承人的貝克特·雷德費洛（格倫·鮑威爾 Glen Powell 飾）被家族拋棄，為了確保成為巨額遺產的唯一繼承人，他不擇手段干掉了七個親戚。影片靈感來源于1949年的喜劇《仁心與冠冕》。
犯罪現場調查完結篇：不朽
特德·丹森,喬雅·福克斯,艾瑞克·茲曼達,羅伯特·大衛·豪爾,華萊士·朗翰,大衛·伯曼,伊莉莎白·哈諾伊斯,喬·維爾內爾,威廉·彼德森,瑪格·海根柏格,保羅·吉爾福伊爾,邁克爾·比奇,布瑞達·伍爾,凱蒂·史蒂文斯,Alexandra BarretoCBS的秋季時間表透露了CSI的最終命運：將推出一個2小時的電視電影作為大結局，元老級角色將回歸，包括“葛瑞森”威廉·彼德森、“凱瑟琳”瑪格·海根柏格。大結局將于9月27日播出，然后《網絡犯罪調查(CSI:Cyber)》第二季接檔。
不倫之戀
帕特里克·迪瓦爾,阿里爾·貝西,莫里斯·羅內,杰納維夫·馬尼奇,莫里斯里什,瑪莎·梅赫勒,羅絲·蒂埃里,Michel Berto,亨利-雅克·于埃,雅克·里斯帕爾,納塔莉·貝伊,妮可·加西亞,Alan Adair,莫里斯·比羅,皮埃爾·科索,伊維斯·皮尼奧,Joseph Michael Roth,Max Vialle對于音樂家雷米（帕特里克·迪瓦爾 Patrick Dewaere 飾）來說，日子變得越來越不好過，不僅僅是職業上的停滯不前，妻子一成不變的容顏和乏味的婚姻生活也讓他幾近抓狂。就在這個節骨眼上，妻子車禍身亡的消息讓雷米感到震驚卻又有一絲解脫，而妻子留下的14歲的繼女瑪麗安（阿里爾·貝西 Ariel Besse 飾）也成為了一個包袱。瑪麗安的生父想奪回瑪麗安的撫養權，沒想到，小小的瑪麗安卻更愿意和繼父生活在一起。同一屋檐下，這對沒有血緣關系的“父女”之間的情感變得朦朧而又曖昧。對于瑪麗安的火熱表白，雷米從最初的果斷拒絕到之后的欲拒還迎，他能否守住倫理道德的最后一條底線呢？
犬之力
本尼迪克特·康伯巴奇,克爾斯滕·鄧斯特,柯蒂·斯密特-麥菲,杰西·普萊蒙,托馬辛·麥肯齊,基思·卡拉丹,弗蘭西絲·康羅伊,吉娜維夫·萊蒙,肖恩·基南,George Mason,David Denis,科恩·霍洛維,愛麗絲·恩格勒特,Yvette Reid,斯特芬·勞瓦特,瓦季姆·列多戈羅夫,朱莉·福塞斯,彼得·卡羅爾,艾莉森·布魯斯,大衛·T·林,亞當·比奇,Ramontay McConnell,Max Mata,Ken Radley富有魅力的牧場主菲爾·伯班克（本尼迪克特·康伯巴奇 飾）讓他周圍的人又敬又怕。當他的兄弟將新婚妻子以及她的兒子帶回家時，菲爾百般折磨他們，直到有一天，他發現自己對愛也存有一絲渴望。