財子名花星媽

評分：0.7 播放：60萬 更新：2026-04-27
主演： 艾蒂 凌黛 Rita 歐陽莎菲 

海外富商Jimmy、John暫無內(nèi)容偕友來港獵艷,暫無內(nèi)容透過淫媒蓮蓮結識名花.暫無內(nèi)容John暫無內(nèi)容本看上王夢華,暫無內(nèi)容卻嫌她小家子氣,暫無內(nèi)容后雖與苗麗君勾搭上,暫無內(nèi)容卻對純情的張小玲念念不忘.暫無內(nèi)容Jimmy暫無內(nèi)容喜歡歌星美寶,暫無內(nèi)容但現(xiàn)鈔、華服、美鉆均無法打動佳人,暫無內(nèi)容還被她狠狠地教訓了一頓.暫無內(nèi)容玲母嗜賭欠債,暫無內(nèi)容竟以苦肉計逼玲向John暫無內(nèi)容獻身.暫無內(nèi)容玲到酒店借醉大罵John暫無內(nèi)容玩弄女性,暫無內(nèi)容John暫無內(nèi)容心生憐惜,暫無內(nèi)容決以禮相待.暫無內(nèi)容翌日玲醉醒,暫無內(nèi)容在酒店外遇見記者,暫無內(nèi)容驚惶中被汽車撞倒,暫無內(nèi)容在醫(yī)院懇求John暫無內(nèi)容帶她到海外重過新生,暫無內(nèi)容John暫無內(nèi)容欣然答允.暫無內(nèi)容寶弟考獲獎學金,暫無內(nèi)容惜無法支付留美生活費,暫無內(nèi)容寶決定賣身給Jimmy,暫無內(nèi)容Jimmy暫無內(nèi)容得悉真相,暫無內(nèi)容自覺慚愧,暫無內(nèi)容無條件送贈二萬元予寶.暫無內(nèi)容華出賣肉體原受養(yǎng)母所逼,暫無內(nèi)容卻反遭母妹奚落,暫無內(nèi)容悲憤之下跳樓自殺.......

影片推薦

同類精選

影視排行

相見好

鐘鎮(zhèn)濤,周慧敏,邱淑貞,鐘楚紅,盧冠廷,鄭丹瑞,關秀媚,盧業(yè)瑂,陳國新,查傳誼,盧雄,黃錦江,郭德信

　　一場意外讓小櫻（鐘楚紅 飾）和阿霖（鐘鎮(zhèn)濤 飾）相識了，隨著時間的推移，兩顆心越靠越近，兩人最終走到了一起。沒過多久，他們就決定搬到同一屋檐下，開始了同居生活?？墒?，零距離的接觸在令他們更加親密的同時也帶來了很多的隱患，小櫻和阿林都感覺多，兩人的個性并不是表面上看起來的那么合拍。久而久之，這段感情開始出現(xiàn)了裂痕?！　“⒘质且幻俦P手，他的介入導致了他的一個朋友賠錢賠到傾家蕩產(chǎn)，而這件事情也促成了他和小櫻之間的決裂。和小櫻分手后，阿林痛定思痛，內(nèi)心充滿了愧疚的他決定不惜丟掉工作也要揭露股市中的隱藏的陰謀。

黑色鉆石

因巴爾·拉維,杰克·麥克勞克林,肖恩·西珀斯,雷·潘莎基,Michael James Bell,Kelli Jordan,伊森·瑞奇,Sara Lyons,Tristan Cunningham,Adrian Bergere,Wyatt Denny,Eric Walworth

 Follows a young woman whose idyllic life with her hedge funder boyfriend turns it into a deadly triangle of lust, obsession and murder after meeting a local cowboy handyman.

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

妖狐傳

馬倩倩,張競達,王昭,朱利安

　　周興商滅時期，神都戰(zhàn)神拓跋羽帶回一個九霄靈狐，關押在府內(nèi)。此后神都屢屢出現(xiàn)懸案，懸案中的死者均是神都極美的女子，神都城內(nèi)人心惶惶。　　為了平息此事，戰(zhàn)神懸賞千兩查找與案子相關的線索，降魔師主動請纓。降魔師的出現(xiàn)讓真相逐漸浮出水面，大家在降魔師的引導下將目光放在了戰(zhàn)神帶回的女子小九身上，并大膽質(zhì)疑小九是妖，全神都為之震動。戰(zhàn)神帶回的女子雖是九霄靈狐，但因其所吸人靈不足只算得上半妖。神都女子之死表面都出自她手而實際上都與她無關?！　≌鎯雌鋵嵤菓?zhàn)神拓跋羽，九霄靈狐則是他最后一個獵殺對象，他殺四十九名美艷女子是為了集齊四十九個美艷女子的陰靈，然后與九霄靈狐的妖靈一同煉化使自己早日修成大成，不料最后被降魔師識破，戰(zhàn)神無法繼續(xù)隱藏，只能兔死狗烹與降魔師進行對抗，降魔師不敵敗下陣來，眼看戰(zhàn)神即將修成大成，降魔師攜手九霄靈狐將拓跋羽治服。降魔師為使一方安寧，收走九霄靈狐一縷靈魄讓別有用心之人無法借由九霄靈狐修害人之法術。