劫數難逃

? 1.8 播放:06萬 2026-04-25

孫逸臣(張繼聰 飾)在一次出差中,因女秘書意外遇害身亡而含冤入獄。獄中不僅要與獄霸司徒(黃光亮 飾)周旋,還要面對兇殘獄長(鄭浩南 飾)的霸凌,只有獄警胡海(張建聲 飾)勉強關照。獄中本就度日如年,而一場致命的傳染病此時也悄然降臨。面對“天災人禍” 于逸臣決定利用 知識 改變命運,求生申冤。他將如何虎口脫險,為自己博得一線生機?

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劇情提要

孫逸臣(張繼聰 飾)在一次出差中,因女秘書意外遇害身亡而含冤入獄。獄中不僅要與獄霸司徒(黃光亮 飾)周旋,還要面對兇殘獄長(鄭浩南 飾)的霸凌,只有獄警胡海(張建聲 飾)勉強關照。獄中本就度日如年,而一場致命的傳染病此時也悄然降臨。面對“天災人禍” 于逸臣決定利用 知識 改變命運,求生申冤。他將如何虎口脫險,為自己博得一線生機?

暗夜精選

三十九級臺階

羅伯特·多納特,瑪德琳·卡洛,露西·曼海姆,戈弗雷·特爾,佩吉·阿什克羅福特,約翰·勞里,海倫哈耶,懷利·沃森,格斯·麥克諾頓,查爾斯·貝內特,馬修·博爾頓,阿爾弗雷德·希區柯克,邁爾斯·馬勒森,弗雷德里克·派珀,約翰·特恩布爾,Frank Cellier,Jerry Verno,Peggy Simpson,Ivor Barnard,Noel Birkin,Carleton Hobbs,Vida Hope,Elizabeth Inglis,James Knight,Hilda Trevelyan,S.J.

重返寂靜嶺

杰瑞米·艾文,漢娜·艾米莉·安德森,艾維·坦普爾頓,羅伯特·斯特蘭奇,皮爾斯·伊根,尼科拉·亞歷克西斯,伊芙·麥凱林,朱莉婭·佩拉加蒂,埃米莉·卡丁,瑪蒂娜·理查茲,霍華德·薩德勒,馬迪奧·帕斯奎尼,梅麗莎·格雷厄姆,勞拉·杜魯,卡莉亞·杜魯,斯拉維薩·伊萬諾維奇,阿拉娜·瑪麗亞,塔瑪拉·里斯托斯卡,賈斯珀·沙龍,桑迪·E·斯科特

肖菲勒

埃里卡·弗雷澤,埃里克·庫比亞克,馬蒂·麥克唐納

超能力者

姜棟元,高修,鄭恩彩

脆弱的男人

亞辛·侯伊卡,歐萊雅·阿瑪拉,拉斐爾·奎納德,Bilel Chegrani,迪翁-克巴·塔庫,蒂法因·戴維斯,霍莉·法特瑪,吉列爾莫·吉茲,薩米拉·塞迪拉,Olivier Soula,Marion Guerrero,Tigrane Avedikian,Juliette Cardinski,Thomas Bricmont,Roméo De Lacour,Marvin Pellegrino,艾瑪·貝內斯坦,Aurélien Marra,塔薩迪特·曼迪,Atmen Kelif

天竺藍調

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星河戰隊

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幕后花絮

“騎”逢對手

  影片講述善良的外賣騎手劉大鵬偶然救了一位富翁,對富翁千金馬小蕓一見傾心,而馬小蕓正陷入一場險惡圈套中,劉大鵬挺身而出,幫助馬小蕓戰勝邪惡的故事。

等待方舟

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.