劇情縱覽
愛麗絲(克里斯塔娜·洛肯飾)是一位著名暢銷書作家的代筆。她完成了他的新書的一半,但不能再寫了。一年前,她在馬耳他發生了一起可怕的事故,當時她和丈夫 Max (Antonio Cupo) 住在他家的別墅里,昏迷了兩個星期。醒來時,她失去了部分記憶,不記得事故.....
愛麗絲(克里斯塔娜·洛肯飾)是一位著名暢銷書作家的代筆。她完成了他的新書的一半,但不能再寫了。一年前,她在馬耳他發生了一起可怕的事故,當時她和丈夫 Max (Antonio Cupo) 住在他家的別墅里,昏迷了兩個星期。醒來時,她失去了部分記憶,不記得事故.....
影片聚焦杰克·薩利與奈蒂莉一家的命運起伏,在前作的情感余波之上,深刻描繪一個家族在戰火中如何成長、并共同守護血脈相連的情感紐帶的歷程,從而將故事推向更具張力的全新維度。此外,潘多拉的全新領域也即將揭曉——觀眾將首次邂逅“風之商人”這個崇尚和平的全新游牧民族,他們乘坐獨特的浮空生物飛船穿梭于各部落間,交易貨物、傳遞信息。 而更具顛覆性的是“灰燼族”的登場,這個以掠奪為生、性情兇猛的族群,與大地之母愛娃之間有著深刻的矛盾。他們的出現,將撕開潘多拉不為人知的黑暗傳說。當弒親之仇與部落恩怨交織,潘多拉的命運懸于一線——在這場跨文明的復仇之戰中,人類與納威族將如何抉擇,才能真正守護各自的家園與未來?
The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.
全球突然出現了很多來自宇宙巨大的“入口”,世界一片混亂、陷入危機。這些扭曲現實的入口為何出現,它們的另一端是?
多年以后,蘇珊和她的兩個孩子意外地出現在她姐姐珍妮的家中。起初看起來像是蘇珊在試探性地試圖重新與姐姐建立關系。但隨著晨光的出現,這種幻覺破滅了:蘇珊消失了……內森·安布羅西奧尼的這部親密電影,描繪了一位被迫成為母親的女人,而她對自己的孩子幾乎一無所知。他那極簡主義的敘事方式,卻充滿了深刻的共情,讓觀眾得以觀察這個新生家庭逐漸凝聚的緩慢過程,以及他們內心的恐懼與猶豫,還有那毫無效率的國家機器的荒謬之處。這是一部法國電影,它反映了因必要性而產生的共同生活本質的脆弱性,以及當它源于愛時,它會變得多么強大。