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昆池巖
魏嘏雋,樸智賢,吳雅妍,文藝媛,樸成焄,柳濟允,李承旭原名南營神經精神醫院的昆池巖精神病院，最早建立于20世紀60年代。在特殊的時代它曾經歷了無比的輝煌，然而更為人熟知的則是該醫院身上所發生的各類恐怖事件?，F如今，早已廢棄的昆池巖醫院被CNN票選為全球七大恐怖之地之一，更由此吸引無數尋求刺激的青年男女來此探險。三個月前，兩名青少年來此探險，結果在直播中遭遇詭異事件，下落不明。此后，《恐怖世代》劇組在魏河俊的召集下，網羅了吳雅妍、樸智賢、夏洛特（文藝媛 飾）、李丞旭、樸成勛、劉帝允等人前往昆池巖，更試圖打開備受詛咒的402室?！ ∫鼓唤蹬R，全球網友一道觀看這場恐怖盛宴……
陰陽師0
山崎賢人,染谷將太,奈緒,安藤政信,村上虹郎,板垣李光人,國村隼,北村一輝,小林薰講述安倍晴明學生時代的故事。在陰陽寮，被譽為天才的安倍晴明與其他學生截然不同，他是個有些討人厭且對成為陰陽師毫無興趣的怪人。 有一天，晴明受到貴族源博雅的委托，解決襲擊皇族徽子女王的怪異現象。盡管兩人經常發生沖突，但他們還是一起追尋真相。而一名學生的離奇死亡成為事件火索火索，引發了卷入平安京的邪惡陰謀和詛咒的動亂。
熊出沒·年年有熊
張秉君,張偉,譚笑熊大曾是森林里的“老大哥”，直到一個不速之客到來，它將自己神力傳給了熊強，熊大變成了三人組合內能力最弱者。為了改變現狀，他步入了反派陷阱，引發了毀天滅地的危機......
阿爾及爾之戰
卜拉欣·哈賈季,讓·馬丹,Yacef Saadi,Samia Kerbash,Ugo Paletti,Fouzia El Kader,Mohamed Ben Kassen一九五四年十月一日，以法屬阿爾及利亞首都阿爾及爾的卡斯巴為中心，爆發了阿爾及利亞人反抗運動，這是由于阿拉伯人憎恨法國人長期統治而引起的。人們四處搞破壞，法國政府發覺事態嚴重，便于一九五七年十月七日，派馬丘將軍率領四十萬大軍駐于斯拉姆地區。但是暴亂仍層出不窮，法國人的鎮壓行動開始升級。
孤獨犯罪狂
布倫娜·斯卡爾斯基,伊恩·賴爾·邁克爾斯,大衛·赫特當一位孤獨的真正犯罪迷遇到她最喜歡的播客主持人時，浪漫擦出了火花，但事情很快變得奇怪，因為他對她的迷戀變成了癡迷，而他最新的劇集似乎圍繞著她最終的謀殺展開。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster