劇情縱覽
很多人找了很久,只能看看介紹,而找不到影片的絕版經典....一個荒島上一個女人帶著兒子女兒生活在荒島上,期望她出海的丈夫能早日回來,但是一個漁民帶來她丈夫的死訊;但是接下來的事情卻引發了一種混亂關系,錯綜復雜的點燃了欲望的熱潮,但同時也帶來了焦慮和不安......
很多人找了很久,只能看看介紹,而找不到影片的絕版經典....一個荒島上一個女人帶著兒子女兒生活在荒島上,期望她出海的丈夫能早日回來,但是一個漁民帶來她丈夫的死訊;但是接下來的事情卻引發了一種混亂關系,錯綜復雜的點燃了欲望的熱潮,但同時也帶來了焦慮和不安......
20世紀末,波黑戰火籠罩的巴爾干地區。聾啞少女安吉爾(羅茜·戴伊 Rosie Day 飾)目睹了親人鄰居被武裝分子殘忍殺害的一幕,在此之后她也失去自由,與數名同齡女孩被擄至暴徒維克托(凱文·霍華斯 Kevin Howarth 飾)所盤踞的地獄之所。女孩們被迫淪為性奴,飽受摧殘與折磨,生命卑微有如在暴風雨中搖曳的燭火。身處無聲世界的安吉爾似乎得到上天微薄的憐惜,她每天的工作便是穿梭于各個房間,為女孩們擦拭血跡,注射藥物,緩解疼痛,小小年紀卻見識了人世間最殘酷的景象。慘無人道且防守嚴密的人間煉獄,安吉爾決定帶著姐妹們逃出生天。當殺母仇人格倫突然來到此地,一切走向失控的邊緣…… 本片榮獲2013年葡萄牙國際奇幻電影節影評人選擇獎。
Tells the story of a young man who has amnesia. He bands together with a rugged survivalist in a zombie-like outbreak to find his girlfriend.
俠盜“一枝花”專劫富濟貧故為人欽佩,卻因正義感得罪了一名蛇蝎美人,該女子名叫“仇女”雖嫁與一土豪“孤寒財主”為妾但始終不忘被“一枝花”所辱,誓必要將“一枝花”置于死地。“一枝花”浪跡江湖,但“仇女”并未因而放過他,反而更誣造許多盜竊案令官方大舉追緝之。其時江湖上出現兩個小人物,一肥一瘦,肥名“脹爆”為人憨直,因仰慕“一枝花”而喜扮大俠,瘦名“扭紋柴”常自作聰明經常撞板,喜占小便宜,為了官方之花紅到處找尋“一枝花”,而偶遇上“脹爆”后來反成莫逆之交,兩人更結伴一同尋找“一枝花”……
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster