受難

評分:8.2 播放:69萬 更新:2026-04-25

修道院長大的純潔少女“法蘭西斯科子”,長大出了社會后仍對“男女為何要交往”“為何要發生性愛關系”抱持著疑惑。

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好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

柔似蜜

劉玉玲,勞倫斯·壽,奧賴恩·李,詹妮弗·林,胡紫蕊,陳清仁,伊萊文·李,安季·德貝尼德托,蘇珊·波爾法,杰森.托特納姆,戴夫·沙蘭斯基,達納·德·塞里斯,安東尼·科米斯,埃里克·萊威頓,格蕾絲·沈,凱特·凱林,扎克·卡爾德隆,阿蒂卡斯·埃爾薩斯,施安·湯姆林森,亞當·錢勒·貝勒特,約瑟夫·Y·李,弗蘭妮·馬斯,喬·梅

改編自Frank Shyong撰寫的《洛杉磯時報》報道《一個垂死母親的計劃》(A Dying Mother’s Plan)。來自真實事件,被形容為“讓人心碎的故事,聚焦理解心理疾病的多層面的重要性,尤其是亞裔社群中”,講述在圣蓋博谷,一個患上癌癥絕癥的母親奮力想要幫助自己情緒不穩定的兒子——她發現兒子對大規模槍擊案越發沉迷。

黑仙女

安努舒卡·莎瑪,帕拉姆巴拉塔·查特吉,拉賈特·卡普爾,Ritabhari Chakraborty,Dibyendu Bhattacharya

  在完全印度文化的背景下,女主安努舒卡·莎瑪試過了殺人的公路驚悚片和與鬼魂相關的喜劇片后,在她制片的第三部作品中講了一個西方惡魔的故事?! 淖诮虅萘Φ淖凡吨袃e幸逃生的惡魔之女,在母親的保護下,在山林中活到二十幾歲。母親去世后,女孩走進城市,被善良內向的男人收留?! ∵@是一個異類不惜付出一切渴望融入人類生活,渴望愛情的故事。聯想到所有宗教都奉行的五花八門的女性禁忌,聯想到女孩的母親是因為被強迫才懷上了她,不禁感嘆:也許所有女人都是主流社會眼中的惡魔。因為愛,女人能擁有摧毀一切的力量;因為愛,女人能放下一切仇恨;因為愛,女人能犧牲一切,包括自己。世界就是被這樣的惡魔支撐著的。想盡辦法把她們趕盡殺絕的人,和她們自己,誰是真正的惡魔?作為低成本獨立制片的恐怖電影,聲效化妝場景什么的,都沒什么毛病,都在及格線以上。不過如果不像我一樣對故事這么煽情,觀眾應該會覺得故事太單薄,不夠刺激。一些觀眾群體可能會覺得不太舒服。畢竟在這部電影中,心中有愛的惡魔之女不是真的惡魔,那些站在正義一方的驅魔人才是。

喋血密令

李琦,馬心怡,徐箭,孫學增,來鈺

  明正德年間,禁衛百戶耿烈因欽差被殺貶為捕頭。此時寧昌府發生連串命案,波及寧王壽宴,耿烈奉命追查。為寧王獻畫富商被毒殺,刺殺欽差的女殺手再次出現,這一切讓耿烈意識到寧昌府醞釀的風暴,將會改變大明的朝局。