劇情簡介
80年代爆発的人気を博した、えびはら武司原作のお色気マンガの実寫版シリーズ第3弾。私立あらま學(xué)園では、風(fēng)紀(jì)の亂れた女子校生たちを狙った犯罪が増加していた。そんな彼女たちを救うべく、著エロクイーン?名波はるかがマチコ先生に扮して奮闘する。
為你推薦
葬送
蔻碧·米納菲,尼爾·桑迪蘭茲,凱特·伯頓,皮特·普勞澤克,沃恩·阿姆斯特朗,切爾西·阿爾登,Alaina Pollack,Riley Rose Critchlow,洛拉·凱莉,Mia EllisA grieving mother hires an enigmatic stranger to perform a ritual to resurrect her late husband. When the ceremony goes out of control, mother and daughter must overcome their differences and fight for survival.
逆時追兇
麥迪遜·貝利,邁克爾·山克斯,格里芬·格魯克,安東尼婭·金特里,莎莫·H·豪威爾,瑞秋·克勞福德,梅根·貝斯特,亞當(dāng)·哈蒂格,塞繆爾·布勞恩,辛妮·比斯頓,Kataem O'Connor,格溫多琳·柯林斯,喬丹·佩特爾,Dutchess Cayetano,Chess Tomlinson,Bj·韋羅,Elena Howard-Scott,泰瑞·威瑟斯龐,科琳·弗蘭,Samantha Hutchings2024年，一名少女意外穿越回 2003年，而她的姐姐將在幾天后被一名蒙面殺手殺害。她能否在不毀掉未來的情況下改變過去?
玩偶屋
羅伯塔·科林斯,帕姆·格里爾,Judith Brown,Brooke Mills,Pat Woodell科林（Judith M. Brown 飾）遭到了謀殺的指控，被關(guān)入了位于菲律賓的監(jiān)獄里，等待著她的，是長達(dá)20年的牢獄之災(zāi)。人高馬大的格利爾（帕姆·格里爾 Pam Grier 飾）是監(jiān)獄里的大姐大，她一眼就相中了與眾不同的科林，想要逼迫她委身于自己，但個性倔強(qiáng)的科林怎么可能就范，在反抗格利爾的過程中，科林和名叫邦妮（帕特·伍德爾 Pat Woodell 飾）的女囚成為了朋友。 某日，科林被女警官帶走了，她打算通過刑訊逼供的方式迫使科林承認(rèn)自己沒有犯過的罪行。焦急的邦妮找到了聰明伶俐的阿爾科特（羅伯塔·科林斯 Roberta Collins 飾），兩人決定聯(lián)手進(jìn)行救援行動。
邪貓劫
Toni Hudson,Eric Larson,Alex CordA bunch of young people are invited to a Caribbean cruise on a gangster's yacht, to distract the attention of the authorities. Unfortunately, a mutant cat which escaped from a test laboratory also gets on board, and kills most of the passengers.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
生還2025
邵正一,周思羽,周云鵬,彭禺厶,徐勵,邱健,侯佳音,徐雅惠,劉頔,李昕廷 ,王天心 ,李夢瑤,梁頌晴,段秋鈺,景天曈,寇文琦,劉政杰,朱宏嘉,曹衛(wèi)宇,馬國偉,楊奇鳴,逯長恩,苗博,鄭好,張宏威,葉福生,何熙維,王俏,翟赫本片以紀(jì)實風(fēng)格再現(xiàn)了1938年到1945年抗日聯(lián)軍第六軍被服廠女兵，傷兵醫(yī)院傷兵組成的留守團(tuán)在主力部隊西征后堅持在老游擊區(qū)牽制敵人主力，于重重圍剿中突圍，進(jìn)入蘇聯(lián)整訓(xùn)，整編為抗聯(lián)第88教導(dǎo)旅打回東北的真實故事?！ ∮捌高^12歲女戰(zhàn)士李童的視角，塑造了耿團(tuán)長、裴大姐、白連長、金玉希、李亦奇等一批普通抗聯(lián)男女戰(zhàn)士在突圍中拼死互相保護(hù)，犧牲、被俘、最終生還的殘酷歷程?！ ”酒木幾宰詈笠粋€離世的抗聯(lián)女戰(zhàn)士李敏撰寫的回憶錄?！ ∵@是第一次用電影方式講述了抗聯(lián)后期從突圍到整編為教導(dǎo)旅再到打回東北的全過程。
阿提克斯研究所
萊亞·吉斯特德,威廉·麥鮑瑟,莎朗·摩翰,約翰·魯賓斯坦,Hannah Cowley,Rob Kerkovich,杰拉爾德·麥卡洛克,Trisha Rae Stahl,朱麗安·阿科斯塔,Anton Narinskiy,阿隆·克拉文,安妮·貝坦克特,Karen E. Wright,Erich Lane,Brian Chenoweth20世紀(jì)50、60年代，亨利·韋斯特博士（威廉·麥鮑瑟 William Mapother 飾）創(chuàng)建了靈學(xué)實驗室阿提克斯研究所，針對超能力、透視、讀心術(shù)、隔空取物等邊緣學(xué)科展開研究。雖然遭遇了無數(shù)的挫折與嘲笑，但是韋斯特博士仍堅持不懈朝著目標(biāo)前進(jìn)。1975年，他的實驗室因某起騙局而被迫關(guān)閉，就在此時一個略顯神經(jīng)質(zhì)的女人朱迪思·溫斯黛德（萊亞·吉斯特德 Rya Kihlstedt 飾）被送到實驗室。她之前因傷而擁有了超能力，而其看似貨真價實的超能力迅速令見多識廣的科學(xué)家們大為折服。在這一過程中，朱迪思的能力不斷加強(qiáng)，甚至已經(jīng)到了失控的程度?！ ∵@已遠(yuǎn)遠(yuǎn)超出了超能力的范疇，謎團(tuán)背后惡魔的身影時隱時現(xiàn)……