影片推薦
雙雄出擊
王輝,張永華,李博,周承赟,張凱翔,艾科熱木,亓梓桓,戚彩,宋宇欣母親2020
長澤雅美,奧平大兼,阿部隆史,郡司翔,夏帆,皆川猿時,仲野太賀,木野花,土村芳,荒卷全紀,大西信滿,淺田芭路行動倒數
凱爾西·周,芬·維特洛克,丹尼爾·弗朗西斯,迪倫·比姆,Skye Little Wing Dimov Saw消失的證據
鄭媛元,王帥,高迦瀾一個明星的誕生1976
芭芭拉·史翠珊,克里斯·克里斯托弗森,加里·布塞,奧利弗·克拉克,Marta Heflin,莎莉·柯克蘭德,喬安妮林維爾,保羅·馬祖斯基,斯蒂芬·布魯頓,Donnie Fritts,Booker T. Jones,Jerry McGee,比爾·格雷厄姆,麗塔·考里基,托尼·奧蘭多,伊索·阿克瑞恩,羅伯特·英格蘭德,梅迪·諾曼,Susan Richardson致我的青春
Theo Camillo Taslim,Fendy Chow,Agus Wibowo同類精選
草莓之夜2013
竹內結子,西島秀俊,小出惠介,宇梶剛士,丸山隆平,津川雅彥,渡邊一計,遠藤憲一,高島政宏,生瀨勝久,武田鐵矢,染谷將太,金子統昭,金子賢,鶴見辰吾,石橋蓮司,田中哲司,三浦友和,大澤隆夫,橫山美雪民國驚魂錄
郝普,陳凱欣,曹璐公寓2024
斯文·索奇塔,細田善彥,Rous Mony,Touch Narady,Manika噬血芭蕾
阿麗莎·威爾,梅麗莎·巴雷拉,丹·史蒂文斯,凱瑟琳·紐頓,凱文·杜蘭,吉安卡羅·埃斯波西托,安格斯·克勞德,威廉·卡特列特,馬修·古迪猩球崛起2:黎明之戰
安迪·瑟金斯,杰森·克拉克,加里·奧德曼,凱麗·拉塞爾,托比·凱貝爾,柯蒂·斯密特-麥菲,柯克·埃斯沃多,尼克·瑟斯頓,泰瑞·諾塔里,卡琳·考諾娃,朱迪·格雷爾,喬恩·阿茲,恩里克·穆西安諾,拉勒米·道克·肖,李·羅斯ST紅與白的搜查檔案電影版
藤原龍也,蘆名星,岡田將生,志田未來,瀨戶朝香,渡部篤郎,洼田正孝,林遣都,水上劍星,三宅弘城,柴本幸,田中哲司影視排行
箭下的約翰娜
伊達·梅金·赫林斯多蒂爾,Grímur Hlynsson,Torgils Hlynsson,Elín ósk óskarsdóttir,Hrafn Tráinsson三個兄弟姐妹制作了一個騎士般的人物,結果卻射出了一連串的箭。隨著季節的推移,我們觀察了他們的生活,因為他們都在建造和拆除他們逼真的作品。
無效郵件
小斯特林·馬塞爾,約翰·弗利克,Tomas Boykin,蘇珊·普里弗,Micki Jackson,尼克·海曼,Sean Heyman,Aaron Phifer,Brian Burke,邁卡·菲茨杰拉德,沙里夫·沃爾特斯,David Willis,Joseph Lopez,喬什·哈普,Shelby Sulak,Alyssa Brayboy,Robin D. Stanton,Jackie Green,Shelby Shea,I. Elijah Baughman一份不祥的求助信被傳到了20世紀80年代的一家郵局里,將一名死信調查員與一名被綁架的鍵盤技術員聯系起來。
沐浴鹽僵尸
Josh Eal,Ethan Holey,Jackie McKownIn New York City, potent strands of bath salts have surfaced and have attracted the most devoted bath salt junkies. A young aspiring chemist has developed an even stronger batch... but something has gone horribly wrong.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.