紅樓殘夢之董小宛
秦淮名妓董小宛和江南才子冒辟疆兩情相悅,但是董小宛的美貌使得富家公子和皇室子弟都垂涎不已,終是難逃被迷奸和被強暴的命運...冒襄屢試不中,仕途坎坷,此刻美人在抱,心靈得到暫時的慰藉,便萌發了與佳人歸隱田園,過一種恬淡生活的想法。董小宛風塵打滾多年,亦早已厭倦那種任人攀折的生活,對冒襄的決定,她表示贊同與舍命追隨。一夜承歡,通宵長談。翌晨,冒襄籌措銀兩,向鴇母提出幫董小宛贖身。豈料,董小宛正當走紅,不論冒襄出多少銀兩,鴇母始終不想放走這棵搖錢樹。好夢難成,兩人正為此事煩惱,適逢錢謙益偕同柳如是游覽至此。柳如是與董小宛是歡場的好姐妹,交情篤深。柳如是知道他們的處境之后,懇求錢謙益出面相助調解。錢謙益在江南一帶官望頗高,鴇母礙于情面,勉強同意追加巨額銀兩,讓冒襄為董小宛贖身。冒襄傾盡積蓄,仍然遠遠不夠鴇母提出來的銀兩數目。錢謙益慷慨解囊,冒襄才得以順利贖回了董小宛的自由身。冒襄與董小宛,雙雙跪倒在錢謙益腳下,千恩萬謝之后,灑淚而別,相攜返鄉而去。冒襄的結發妻子,體弱多病,通情達理,雖知董小宛是青樓出身,但仍欣然接受。董小宛作為冒襄的侍妾,在冒家住了下來,她知恩圖報,替冒妻承擔家庭的重擔,孝順公婆,尊敬大婦,悉心照料冒襄的一雙兒女。董小宛把冒家打理得井井有條,家人有目共睹,眾人皆交口稱贊。董小宛亦覺得自己的選擇沒有錯,自然心無旁騖,心滿足足地在冒家平靜生活。董小宛除了把冒家的事情安排得有條不紊,還無微不至地照顧丈夫。冒襄閑居在家,潛心著書立說,她則在一旁紅袖添香,送茶備食,間或相幫著查考資料、抄寫書稿;又或彈奏一曲古箏,給丈夫消倦解困,清醒頭腦。這種夫唱婦隨的日子,可是董小宛一生夢相的生活。無奈,好景不長,董小宛只享受了這種寧靜而幸福的家庭生活一年多,明王朝內憂外患,連天烽火,燒毀了她所擁有的一切。李自成攻占北京,吳三桂沖冠一怒為紅顏,引清兵入關,瞬間時局動蕩,兵荒馬亂。冒襄家鄉,也燃起了熊熊戰火。清軍肆虐橫行,燒殺搶掠,無惡不作。冒襄舉家逃避戰亂,輾轉深林僻路,風餐露宿,饑寒交迫,苦不堪言。董小宛出身風塵,風雨飄搖,膽識智謀過人,逃難中常在前開路,或在后護衛,意在危難之時,以自己的姿色,換取保存冒家上下老少性命。
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關你茶室
Yuriko Heng,K-Lao,賴宇涵,李國煌,Morn Liew,Joshua Se,Songbill,鄧金煌,Mayjune,黃楚琳,王竣害蟲2023
西奧·克里斯廷,索菲婭·勒薩弗爾,杰羅姆·尼爾,麗莎·尼亞科,費尼肯·歐菲爾德,Marie-Philomène Nga,馬哈瑪德·桑伽勒,阿卜杜拉·蒙迪,Ike Zacsongo,埃馬紐埃爾·博納米,Xing Xing Cheng,Samir Nait,Malik Amraoui,Lehcem Mahidi,Nasser Mehal,Abdelkader Bounoir,Karim Daoues,Christine Kay,斯蒂芬·馬拉瑟內,Aicha Ameddah蝸牛籃球隊
超重警官
Sarun Cinsuvapala,Nutjaree Horvejkul,Somyos Matures,Supavitch Nepremwattana,Pramote Pathan,Suphachai Subprasert格斗家
周小偉寫在大地上的詩
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巴黎諜影
約翰·特拉沃爾塔,喬納森·萊斯·梅耶斯,卡夏·斯穆特尼亞克,梅麗莎·瑪斯,Richard Durden,Bing Yin,艾波·羅絲·雷瓦,艾力克·高敦,Fran?ois Bredon,Chems Dahmani,Sami Darr,Julien Hagnery,穆斯塔法·斯提提,麗貝卡·達揚,Micha?l Vander-Meiren,Didier Constant法國青年瑞斯(喬納森?萊斯?梅耶斯 Jonathan Rhys Meyers 飾)在大使館中工作,同時他還是美國情報部門的見習人員,精明強干的瑞斯對“換車牌”,加竊聽器之類的任務自然是駕輕就熟,但是他很快迎來了真正的挑戰——配合探員瓦克斯(約翰?特拉沃塔 John Travolta 飾)在巴黎的行動。 瓦克斯作風強硬,舉止粗暴。恍如漫畫中走出的美國英雄,甫一下飛機,便咬住了毒品的線索一路大開殺戒,先后與華人、巴基斯坦和黑人幫派連番激戰……瑞斯對神奇的瓦克斯目瞪口呆之余,也漸漸跟上了他的節奏。任務接近尾聲之時,兩人意外發現瑞斯居然也是恐怖分子的目標人物之一,原來恐怖分子們以瑞斯為突破口,試圖刺殺赴法訪問的美國高官,于是這對臨時搭檔,迅速整備出發……
相見好
鐘鎮濤,周慧敏,邱淑貞,鐘楚紅,盧冠廷,鄭丹瑞,關秀媚,盧業瑂,陳國新,查傳誼,盧雄,黃錦江,郭德信一場意外讓小櫻(鐘楚紅 飾)和阿霖(鐘鎮濤 飾)相識了,隨著時間的推移,兩顆心越靠越近,兩人最終走到了一起。沒過多久,他們就決定搬到同一屋檐下,開始了同居生活。可是,零距離的接觸在令他們更加親密的同時也帶來了很多的隱患,小櫻和阿林都感覺多,兩人的個性并不是表面上看起來的那么合拍。久而久之,這段感情開始出現了裂痕。 阿林是一名操盤手,他的介入導致了他的一個朋友賠錢賠到傾家蕩產,而這件事情也促成了他和小櫻之間的決裂。和小櫻分手后,阿林痛定思痛,內心充滿了愧疚的他決定不惜丟掉工作也要揭露股市中的隱藏的陰謀。
羅伯特玩偶的復仇
Lee Bane,Harriet Rees,Judith Haley在納粹德國,玩具制造商擁有一本神秘的書籍,賦予無生命的生命。在躲過希特勒命令取回書的黨衛軍之后,這位玩具商登上了一列火車企圖逃離該國。認為他很清楚,玩具制造商很快就發現,一批高級納粹軍官也加入進來。最終,他的秘密被揭露出來,納粹關閉。但是,玩具制造商已經使用這個神奇的東西來帶來一個名叫羅伯特的復古娃娃來生活 - 而羅伯特將毫無阻礙地保護他的主人。所以,當玩具制造商和殺手娃娃拿起納粹時,就開始了一場血腥的戰斗。這是對死亡的一場戰斗,只有勝利者才會在下一站下車。
求愛反斗星
張艾嘉,陳百祥,張國榮,曹查理繁華的國際大都會香港鬧市中心,口若懸河的洪家寶(陳百祥 飾)帶著傻乎乎的小弟麥交(邵國華 飾)公然行竊,結果路上遭遇妙齡女郎嘉嘉(張艾嘉 飾)舉報。雖然兩人百般抵賴,但在最后關頭漏了馬腳,被警察關進監獄。令洪、麥意想不到的是,嘉嘉居然是監獄的輔導官,所謂冤家路窄,洪家寶真是窩了一肚子火。二人所在的牢房獄霸橫行,為了逃出對方魔爪,他們不惜羞辱監獄長官。經過一段時間牢獄之災,二人和獄中認識的伙伴冠仁(胡大為 飾)出獄。誰知他們死性不改,騙吃騙喝再度鋃鐺入獄,這次又撞上了有著一副好皮囊、愛裝警察的小混混榮仔(張國榮 飾)。 洪家寶大罵榮仔,意想不到的是榮仔的老姐居然就是洪的仇敵嘉嘉……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.