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劇情簡介
[嗲囡囡FEILIN]暫無內容暫無內容寫真集系列鑒賞
同類好片
萬世英雄
查爾頓·赫斯頓,索菲婭·羅蘭,雷夫·瓦朗,吉內瓦維·佩吉,約翰·弗拉瑟,加里·雷蒙德,赫德·哈特菲爾德,馬西姆·塞拉托,弗蘭克·思林,邁克爾·霍爾德恩,安德魯·克魯克香克,道格拉斯·威爾默,托里奧·卡米納提,拉爾夫·杜魯門,Christopher Rhodes,卡洛·朱斯蒂尼,福斯托·托齊,芭芭拉·埃弗里斯特,尼里奧·貝爾納迪,赫伯特·羅姆,歐米洛·康帕納,Antonio Mayans,保羅·穆勒,保羅·納什,歐露莎爾芭·奈麗,維爾吉里奧·特謝拉無歸客
宋洋,陳立農,姜珮瑤最后的維京人
麥斯·米科爾森,尼古拉·雷·卡斯,拉斯·蘭特,蘇菲·格拉寶,卡爾多·拉扎齊,拉爾斯·博格曼,索倫·莫靈,尼可拉斯·布若,波笛·約根森,安妮特·斯托維爾拜克,麗克·路易絲·安德森,Klaus S?ndergaard,莉拉·諾貝爾,Susanne Breuning,Bue Wandahl,Peter Düring,Alfred R?ssel L?s?,Nomi Bodnia,Joel Hesse Johansen天堂孤影1986
馬蒂·佩龍帕,卡蒂·奧廷寧,薩卡里·庫斯曼嫩,埃斯科·尼卡里,Kylli K?ng?s,佩卡·萊霍,Jukka-Pekka Palo,Svante Korkiakoski,Mari Rantasila,Safka Pekkonen,Antti Ortamo,馬托·瓦爾托寧,Sakke J?rvenp??,Ulla Kuosmanen,Neka Haapanen,阿基·考里斯馬基你好弗里達
奧利維婭·魯茲,Emma Rodriguez,Rebeca Gonzales,Léo C?té,Sophie Faucher,曼努爾·泰德羅斯,Anne Girard,Joey Bélanger奪命微笑2
娜奧米·斯科特,凱爾·加爾納,德魯·巴里摩爾,羅絲瑪麗·德薇特,盧卡斯·蓋奇,迪蘭·格魯拉,彼得·雅各布森,雷·尼科爾森,勞爾·卡斯提洛,達芙妮·澤利,邁爾斯·古鐵雷斯-賴利,Zebedee Row,Delphi Harrington,Micaela Lamas,David Peter White人氣佳作
口徑
杰克·勞登,馬丁·麥凱恩,托尼·庫蘭,伊恩·皮里,喬治·安東,凱特·布拉肯,泰蕾茲·布拉德利,卡梅倫·杰克黑色城堡
Evgeniy Shvarts,維羅妮卡·烏斯蒂莫娃,葉夫根尼·斯迪查金,琳達·拉賓什,阿納斯塔西婭·克拉索夫斯卡婭,Aleksandr Girenok約瑟夫·門格勒的消失
奧古斯特·迪赫,達娜·赫弗斯,布爾格哈特·克勞斯納,安東·利特維諾夫,海因茨·K·克拉蒂格,馬克西米利安·梅耶-布雷澤內德,Carlos Kaspar,阿麗娜·利特維諾娃,Tetiana Lytvynova,David Ruland,Rodrigo Costa Pereyra,Diana Stepanova,Santino Lucci,Ramiro Lucci皮皮魯和魯西西之309暗室
黃爽,劉蕊,李昕導演精選
女人們的談話
來自與世隔絕的宗教社區的婦女們努力使她們的現實與她們的信仰相協調。通過背景故事，我們看到一個婦女社區聚集在一起，研究如何共同前進，為她們自己和她們的孩子建立一個更美好的世界。要么留下來戰斗，要么離開。她們不會什么都不做。
地縛
Joe is an Alien on Earth. At least that is what his father told him before he died when Joe was eleven. He finds it difficult to adjust, and to find a compatible girl friend
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster