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潛艦情緣
何塞·加西亞,皮奧·馬麥,伊爾·哈達(dá)拉她是一名戰(zhàn)術(shù)潛艇軍官。他是管家。在潛水90天之前，她選擇了“四個小時”。但它就在這里！誰跟著她！誰粘的！如果747機(jī)組人員以浪漫為榮，我們會去哪里？就像我們有時間在軍事建筑上戀愛一樣！然而，太平洋還不夠大。北冰洋也沒有。當(dāng)你用如此偉大的愛彼此相愛時，世界是如此渺小。。。
雛菊1966
雅羅斯拉夫·庫切拉,伊萬娜·卡爾班諾娃,埃斯特爾·克倫巴赫喬娃,伊特卡·采爾霍娃,Marie Cesková,Jirina Myskova,Marcela Brezinová,Julius Albert,Oldrich Hora,Jan Klusák,Václav Chochola,Josef Konícek,Jaromír Vomácka,Miroslava Babúrková,J. Bartos,Oldrich Basus,Jirina Cesková影片開始于兩個都叫瑪麗的少女（Jitka Cerhová 和 Ivana Karbanová 飾）的對話：沒有人理解我們，這個世界上的一切正在變得越來越糟糕。于是兩人決定：我們也要變得越來越壞！瑪麗一號喜歡和老男人約會，在他們吃飯的時候，瑪麗二號會突然出現(xiàn)，旁若無人地大吃特吃。瑪麗一號把老男人送上火車，老男人以為她會陪著他，火車開動，她卻下了火車。瑪麗二號在一個收藏蝴蝶標(biāo)本的男青年家中，用他的標(biāo)本遮住自己身體的隱秘部位。她們在夜總會里搗亂，最后被趕走。她們無意中闖入一個沒有人的宴會，開始肆無忌憚地享受美食.....本片獻(xiàn)給精神生活一團(tuán)糟的人們。
圣山1973
亞歷桑德羅·佐杜洛夫斯基,霍拉西奧·薩利納斯,Zamira Saunders,胡安·費(fèi)拉拉,阿德里安娜·佩奇 ,Burt Kleiner,Valerie Jodorowsky,Nicky Nichols,理查德·魯托夫斯基,Luis Lomelí,Ana De Sade,Chucho-Chucho,Letícia Robles,Connie De La Mora,David Kapralik,Jacqueline Voltaire,José Antonio Alcaraz,赫克托?奧爾特加,阿麗爾·朵巴絲一位貌似耶穌的小偷（Horácio Salinas 飾）從兒童們的石塊擊打中醒來，與一個無手無腳的侏儒結(jié)伴進(jìn)入城市。城中正進(jìn)行一場瘋狂的慶典，一些人被殺死，鳥雀從他們的槍口中飛出，大量蟾蜍穿著印第安人以及歐洲殖民者的服裝在混戰(zhàn)中被炸的粉碎。小偷從幾個羅馬士兵打扮的人手中接過十字架，又被他們將自身的形象制造成無數(shù)模型……小偷在眾目睽睽下爬上了一座能生產(chǎn)黃金的高塔，塔內(nèi)的術(shù)士從小偷的糞便中提煉出了金子。術(shù)士用占星術(shù)確認(rèn)了幾位門徒，他們是生產(chǎn)面具的商人、武器商、藝術(shù)家、玩具商、政府顧問、軍隊(duì)長官和建筑師，七人分別代表不同的行星。術(shù)士把這些掌控國家的人物積聚一起，拋棄一切之后向傳說中的圣山進(jìn)發(fā)尋找不朽的秘密。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
長腿
麥卡·夢露,尼古拉斯·凱奇,布萊爾·安德伍德,艾麗西亞·維特,米歇爾·喬伊-李,達(dá)科他·道爾比,勞倫·阿卡拉,琪蘭·席普卡,賈森·戴,麗莎·錢德勒,萊拉·麥金托什,卡梅爾·阿密特,沙芬·卡里姆,丹尼爾·巴孔,瓦內(nèi)薩·沃爾什,斯科特·尼科爾森橫跨30年的10宗滅門慘案，所有遇害家庭都有一個共通點(diǎn)：有一位14號生日的小女生。
暗夜鬼抓床
肖娜·麥克唐納,Leah McNamara,羅斯·諾貝爾Paralyzed after a terrible accident, Dana struggles to regain her life and family when she encounters a malevolent ghost in her hospital room.