騙財騙色

? 1.5 播放：59萬 2026-04-26

本片由四部互相獨立但都與;騙 rdquo;相關(guān)的短片組成。兩部中的故事發(fā)生在民國時期：《針到命除》篇，自稱針灸專家的華亦佗（谷峰）與徒弟（吳明才）被婦人（歐陽莎菲）請家給女兒看病，兩人合演過聳人聽聞的雙簧，嚇破膽的婦人忙掏出幾乎全部積蓄，哪想華亦佗一針扎下，女兒一命嗚呼，不久華亦佗搖身變作賽扁鵲；《花柳醫(yī)生》篇，貌美體端的曹麗珠（汪萍）來到珠寶店稱她是不遠處花柳醫(yī)生曹濟人（姜南）的妹妹，要給待嫁的侄女挑選一套貴重珠寶，選定后，她要伙計周吉（康凱）送到哥哥處，周吉裝裱珠寶時，曹麗珠來到曹濟人處開始與他攀親戚，稱她在不遠處珠寶店上班的表侄周吉得了花柳病，但不好意思求醫(yī)，等會他佯稱送珠寶時請給予特別照顧，早被迷得神魂顛倒的曹濟人連連答應。 nbsp; 　　兩部中的故事發(fā)生在1970年代初：《印鈔票機》篇，靠操持皮肉生意;致富發(fā)家的蘇菲（邵音音）與安娜（丹娜）聽朋友大衛(wèi)（詹森）說要回國的老外（積高）欲出shou研制的印真鈔票的機器，動了心思，而兩人拿著該機器吐出的鈔票購物、du錢時發(fā)現(xiàn)果然好用，興奮地開出巨額支票將之買下；《我要官人》篇，性胃口大得驚人的周小姐（佘莎莉）嫌未婚夫不中用，憑借風流姿色及一流的業(yè)務能力、床上功夫，許多位高權(quán)重的男人被她迷惑，shou賣電器的通用公司總經(jīng)理（岳華）就被她騙得財色兩空，而他的老婆、該公司的董事長（陳萍）得知他通用公司女職員時，也以樣學樣通用起男職員來。 　　

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? 播放 騙財騙色

劇情提要

本片由四部互相獨立但都與;騙 rdquo;相關(guān)的短片組成。兩部中的故事發(fā)生在民國時期：《針到命除》篇，自稱針灸專家的華亦佗（谷峰）與徒弟（吳明才）被婦人（歐陽莎菲）請家給女兒看病，兩人合演過聳人聽聞的雙簧，嚇破膽的婦人忙掏出幾乎全部積蓄，哪想華亦佗一針扎下，女兒一命嗚呼，不久華亦佗搖身變作賽扁鵲；《花柳醫(yī)生》篇，貌美體端的曹麗珠（汪萍）來到珠寶店稱她是不遠處花柳醫(yī)生曹濟人（姜南）的妹妹，要給待嫁的侄女挑選一套貴重珠寶，選定后，她要伙計周吉（康凱）送到哥哥處，周吉裝裱珠寶時，曹麗珠來到曹濟人處開始與他攀親戚，稱她在不遠處珠寶店上班的表侄周吉得了花柳病，但不好意思求醫(yī)，等會他佯稱送珠寶時請給予特別照顧，早被迷得神魂顛倒的曹濟人連連答應。 nbsp; 　　兩部中的故事發(fā)生在1970年代初：《印鈔票機》篇，靠操持皮肉生意;致富發(fā)家的蘇菲（邵音音）與安娜（丹娜）聽朋友大衛(wèi)（詹森）說要回國的老外（積高）欲出shou研制的印真鈔票的機器，動了心思，而兩人拿著該機器吐出的鈔票購物、du錢時發(fā)現(xiàn)果然好用，興奮地開出巨額支票將之買下；《我要官人》篇，性胃口大得驚人的周小姐（佘莎莉）嫌未婚夫不中用，憑借風流姿色及一流的業(yè)務能力、床上功夫，許多位高權(quán)重的男人被她迷惑，shou賣電器的通用公司總經(jīng)理（岳華）就被她騙得財色兩空，而他的老婆、該公司的董事長（陳萍）得知他通用公司女職員時，也以樣學樣通用起男職員來。 　　

幕后花絮

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

神秘科學影院3000

　　本片改編自ＨＢＯ１９８８年起播映的影集，播出后廣受另類影迷的歡迎。依循該影集的特色，我們看到三層投射在電影銀幕的剪影，影片中的人正在觀賞一堆低俗可笑的Ｂ級影片。劇情安排一位邪惡的科學佛利特，他意圖以最低俗的Ｂ級影片來對人類洗腦，并進而控制人類的意志。片中被試驗的對象麥克是個平凡人物，但是他非但未被低級影片所害，反倒頗能樂在其中，并與銀幕上的主角產(chǎn)生頗具“笑”果的對話。本片以獨特的觀點來處理，對于新新人類，是另類電影風的最佳代表與選擇。　　快戴上你的太空安全帽，一場瘋狂滑稽的旅程就要展開！一位邪惡的科學家，意圖以最低俗的B級影片來對人類洗腦，并進而控制人類的意志，最后占領(lǐng)地球。因此一個倒楣的平凡人麥可納爾遜被當成實驗對象，與兩個滑稽的機器人一同登上一艘宇宙飛船，被迫觀看1955年的一部爛科幻片。但是沒想到，麥可非但未被低級影片所害，反倒能樂在其中，并與銀幕上的主角產(chǎn)生頗具「笑」果的對話！此片是根據(jù)一個同名電視秀所改編而成，該電視秀從80年代晚期延續(xù)到90年代中期，它所造成的轟動盛況，不但有六萬名以上的瘋狂影迷，甚至還出了一本書，并拍了這部電影。