影片推薦
烏鴉
淺野忠信,瀧內公美,托比·凱貝爾,高岡早紀次世代機動警察:首都決戰
真野惠里菜,福士誠治,筧利夫,太田莉菜,千葉繁重案·無罪
張天其,步籽穎 Ziying Bu,于榮光,杜玉明,梁焯滿,駱言,吳永康,朱梓玥,樓學賢,張嘉飛,張苡寧得墨忒耳號的最后航程
科里·霍金斯,艾斯琳·弗蘭喬茜,利亞姆·坎寧安,大衛·達斯馬齊連,克里斯·瓦利,喬恩·瓊·布里恩斯,斯蒂芬·卡皮契奇,馬丁·弗魯倫德,尼古拉·尼克拉斐,伍迪·諾曼,哈維爾·博泰特,格雷厄姆·特納,安迪·穆雷,尼科洛·帕塞蒂,克里斯托弗·約克,努爾丁·法拉西,亞當·肖,杰克·多格特,莎莉·里夫死亡筆記美版
曹斐然,李崢,李奔侵略機器
約書亞·迪亞茲,阿蘭·里奇森,丹尼斯·奎德,杰·科特尼,埃塞·莫拉雷斯,杰克·派頓,丹尼爾·韋伯,凱南·朗斯代爾,大衛·湯姆林森,史蒂芬·詹姆士,喬伊·維埃拉,杰克·萊恩,克里斯托弗·卡比,詹姆斯·博福特,Matt Testro,Victory Ndukwe,Blake Richardson,Jacob Hohua,Heather Burridge,Will Curtin同類精選
十三
杰森·斯坦森,米基·洛克,雷·溫斯頓,薩姆·賴利,50分,愛麗絲·巴雷特,蓋比·霍夫曼,斯蒂芬·比奇,埃曼紐爾·施萊琪,小邁克爾·貝瑞,斯塔拉·本福德,黛西·塔漢,卡洛斯·雷格-普拉扎,福雷斯特·格里芬,艾德·伯格托德,大衛·札亞斯,查克·齊托,安東尼·奇澤姆,阿倫·戴維森,斯蒂芬·格維頓,道格·托雷斯,亞歷山大·斯卡斯加德,約瑟夫·德博納,本·戈扎那,羅納德·格特曼,約翰·貝德福德·勞埃德,帖木兒·巴布魯阿尼,拉爾斯·格哈德,邁克爾·珊農,唐·弗萊,克里斯·麥金尼,弗蘭克·賽格,約翰·菲奧里,韋恩·杜瓦連環扣
馬納夫·卡爾,薇迪亞·巴蘭,莎法莉·什提,羅希尼·翰塔伽蒂,Sofiya Khan,Vidhatri Bandi,Iqbal Khan,阿巴斯·達拉勒,Mangesh Desai,Gurpal Singh,朱奈德·汗,Vijay Nikam,Ghanshyam Lalsa,Surya Kasibhatla,Shrikant Yadav神探伽利略 禁斷的魔術
福山雅治,北村一輝,新木優子,村上虹郎,森七菜,渡邊一計,澤部佑,朝倉亞紀,中村雅俊,鈴木浩介,平原テツ韓塞爾與葛雷特
千正明,陳智熙,沈恩敬,殷元在看護中
李裕英,芮秀貞,廉惠蘭,尹敬浩落葉球
David Koberidze,Otar Nijaradze影視排行
美滿姻緣
瓊·艾倫,安東尼·拉帕格利亞,克里斯汀·康奈利,史蒂芬·朗,Theo Stockman,Brady Bryson,提莫斯·J·考克斯,Jason Testa,Gregg Micheals,Pun Bandhu,Brian Patrick Murphy,羅伊·哈特拉姆,Kris Lundberg,Stephen Sapienza,Will Rogers與丈夫(安東尼·拉帕格利亞飾)慶祝完結婚25周年后不久,丈夫出差在外,達西(瓊·艾倫)在車庫找電池,卻無意中發現丈夫就是新聞中說的“臭名昭著的連環殺手比蒂”。 影片的小說藍本是金2010年出版的短篇小說集《暗夜無星》(Full Dark, No Stars)中的一篇。金在接受采訪時說,小說的靈感來自于2005年被捕的美國“BTK連環殺手”丹尼斯·雷德(Dennis Rader),他就有一位結婚三十四年的妻子寶拉(Paula),對他的殺人行為毫不知情。金表示,小說探討的是,人與人之間永遠不可能完全了解,即使是最愛的人也一樣。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
泰勒·湯姆林森:浪女回頭
泰勒·湯姆林森泰勒·湯姆林森(Taylor Tomlinson)在她的第四部喜劇特輯《浪子回頭的女兒》(Prodigal Daughter)中,以一個關于解構信仰、處理宗教創傷、探索性取向和面對死亡恐懼的緊張新時刻回到了她的根本。
孤獨癥候群
Pierre Le Baleur,Eddy Frogeais,Diane MartinAn epic mosaic of lonely people with crossed destinies who will set their sights on Arthur Morhan, a psychoanalyst on the verge of a breakdown.