那個少女不多情之脫的疑惑

　　《一夜大肚》中的夫妻皮特（保羅·路德 Paul Rudd 飾）與黛比（萊斯利·曼恩 Leslie Mann 飾）如今年過四十，雖然黛比已經擁有一個不錯的精品店，皮特也開了自己的唱片公司，然而生活的暗礁還是漸漸圍困了這個家庭：不僅皮特開始需要借助“偉哥”，兩人的父母也年歲漸衰，需要供養，皮特的唱片店近來也在艱難維系，兩個還在上學的女兒更是每天把家里弄得雞飛狗跳。夫妻二人深感走入了愛情墳墓的同時，連生活的激情與樂趣也將要被消磨殆盡。黛比在與朋友談心之后，終于決定要挽救自己的婚姻，而此時，她已經懷上了皮特的第三個孩子……　　本片為導演在2007年的喜劇電影《一夜大肚》的一個獨立續集。

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

　　Sore從未來穿越回過去，只為改寫她丈夫Jonathan的命運。但命運從不輕易讓步——當過去、現在與未來交織，她與Jonathan的愛情也陷入無法逃脫的時間迷宮。

　　藝術家戴夫，他的職業生涯，從來沒有完成任何重要的作品。這次他造了一個迷宮，包含了幻想陷阱、誘殺裝置，但不知何時，迷宮有了自己的生命，自行創造出多種機關怪物，甚至牛頭怪。朋友們為了營救戴夫，進入折紙迷宮，大戰機關和怪物，一場撕逼大戰迫在眉睫……