劇情簡介
自從年輕時受到姨媽的性創傷后,比利就一直把花生醬和性聯系在一起。在他最近的約會對象離開后,他遇到了普麗西拉,一個同樣古怪的女人。當兩個陌生人決定分享他們不尋常的性愛經歷時,比利開始意識到她可能終于找到了他夢寐以求的女孩。但他們初露頭角的戀情能經受住最終的性考驗嗎?
為你推薦
鬼影2025
Vino G. Bastian,Anya Geraldine,尼肯·安賈尼,唐尼·阿蘭西亞,安德里·馬沙迪,Rangga Nattra,Nugie,魯克曼·羅薩迪,Dewi Gita,Michelle Tahalea,Agus Mahesa,Iyang Darmawan,Angie Ang,Bayu T.,Megarita,Rinni Ruyono,Gabriella Cecilia,Widyawati,Dian Nova,Nesia Nuari達爾文是一名攝影師,他發現有個神秘女人總出現在自己的照片中。當這個幽靈般的身影開始在現實生活中顯現時,他的女友皮亞開始調查這個鬼魂的身份,最終發現它與一名名叫莉莉斯的前大學學生有關。當達爾文的朋友們開始陸續死亡時,皮亞懷疑這些鬼魂事件與達爾文的過去惡行有關。
無法饒恕的愛
薩拉·克利夫蘭,Matt Wells...
提前的葬禮
姜末琴,奉太奎由于他們的父親處于昏迷狀態,護士Seon-young敦促她的兄弟Il-hoe舉辦一場假葬禮,因為他負擔不起兒子的學費,有可能看到他錯過大學。他們偽造死亡證明并欺騙醫院,但隨著壓力的增加,他們的計劃開始以意想不到的方式瓦解。
惡魔的破壞 前篇
幾田莉拉,志水彩乃,種崎敦美,島袋美由利,大木咲繪子,諏訪部順一,津田健次郎三年前的 8 月 31 日,突如其來的“侵略者”,—艘巨大的“母艦”降落至東京上空,世界似乎迎來了終結……在那之后,絕望融入了日常生活,巨大的圓盤飄浮在上空的世界持續到現在。小山門出、中川凰蘭兩個高中少女,在這個走向終結的世界中,揮灑著自己的青春時代。
機動戰士高達00劇場版先驅者的覺醒
宮野真守,三木真一郎,吉野裕行,神谷浩史,本名陽子,東地宏樹,高垣彩陽,戶松遙,小笠原亞里沙,高山南,濱田賢二,中村悠一,上田祐司,釘宮理惠,入野自由,齋藤千和,磯部勉,古谷徹,藤田淑子,恒松步,根谷美智子,川島得愛,白鳥哲,梅津秀行,早水理沙,佐藤有世,松本保典,置鲇龍太郎,谷口節,小室正幸,白石涼子,游佐浩二,小形滿,古島清孝,清水美智子,奈良徹,星野貴紀,佐藤健輔,廣田詩夢,勝地涼【故事簡介】利翁茲·奧馬克與天人的戰斗以真正的改革者剎那·F·清英等人的勝利拉上了帷幕。獨立治安維和部隊A-Laws解體,世界終于走向了和平。這樣過了兩年,西歷2314年,表面上消失了的天人為了防止戰爭發生仍然在暗處活動著,這時,新的戰爭打響了信號。再次集結起來的高達駕駛員們乘坐著新式高達,開始了戰斗!【STAFF】企畫:sunrise原作:矢立肇、富野由悠季腳本:黑田洋介人設原案:高河弓動畫人設:千葉道德機體設定: 海老川兼武、柳瀨敬之、福地仁、鷲尾直廣、寺岡賢司、中谷誠一、大河原邦男動畫機體設定: 中谷誠一美術設定:須江信人(KUSANAGI)美術監督:若松榮司(KUSANAGI)色彩設計:手島明美(Wish)音響監督:三間雅文攝影監督:葛山剛士(旭Production)旁白:古谷徹制作人:池谷浩臣(sunrise)、佐々木新(sunrise)監督:水島精二制作:創通、sunrise
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
爆彈
山田裕貴,伊藤沙莉,染谷將太,渡部篤郎,佐藤二朗一個神秘中年男子醉酒后襲擊了一臺自動售貨機和便利店店員,被警方拘留。他聲稱自己擁有超能力,并預測東京將有炸彈。從秋葉原爆炸事件算起,他預測接下來還會有三次爆炸,間隔一小時。隨后,他一邊回避著警察的詢問,一邊問一些有關炸彈的神秘“問題”。