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劇情簡介
又名: Girl-Gang / Sexy Playgirls,美茵是時下油脂妹,而穎則性格純良。一日,三人因捉弄一士多老板而被找晦氣,逃至游戲機中心,西洋仔便保護三人,翌日,西使出奸計令美與父關(guān)系決裂而離家出走,與之同居。一日,穎因拒絕西的邀請,她家人的店鋪竟遭西搗亂。未幾,穎撞見美被押著接客,原來西強迫美茵賣淫。穎求助于CID男友,男友召集手下掃蕩西之巢穴,可惜只能救出茵一人。西為要報復(fù),綁架穎并將之強奸及拍下照片,龍明查暗訪,終查出西匿藏地點
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定時拍攝
丹妮爾·帕娜貝克,馬特·歐萊瑞,阿明·約瑟夫,莎朗·摩翰,喬治·芬,杰森·斯皮薩克,David Figlioli,Judith Drake,Mark C. Hanson九十九首歌
Ehan Bhat,Edilsy Vargas,Tenzing Dalha,麗莎·蕾,瑪尼沙·柯伊拉拉,Warina Hussain,Diwakar Pundir,Ranjit Barot,Rahul Ram,Ashwath Bhatt,Neel Tyagi,Chaitnya Sharma,Kurush Deboo,Burjor Patel,Kalyan Baruah人肉炸彈
莉斯爾·阿勒斯,蕾內(nèi)·斯沃特,肖恩·卡梅倫·邁克爾大明嬪妃之選秀
何杜娟,關(guān)慧卿,思漩,陳一諾,王春妹,朱一龍得墨忒耳號的最后航程
科里·霍金斯,艾斯琳·弗蘭喬茜,利亞姆·坎寧安,大衛(wèi)·達斯馬齊連,克里斯·瓦利,喬恩·瓊·布里恩斯,斯蒂芬·卡皮契奇,馬丁·弗魯倫德,尼古拉·尼克拉斐,伍迪·諾曼,哈維爾·博泰特,格雷厄姆·特納,安迪·穆雷,尼科洛·帕塞蒂,克里斯托弗·約克,努爾丁·法拉西,亞當·肖,杰克·多格特,莎莉·里夫我是山姆
西恩·潘,達科塔·范寧,米歇爾·菲佛,黛安·韋斯特,洛雷塔·迪瓦恩,理查德·希夫,勞拉·鄧恩導(dǎo)演精選
三國的星空第一部
東漢末年,天下大亂。曹操討董卓、迎天子、戰(zhàn)官渡,成為一代英豪,與袁紹和劉協(xié)等人一起用選擇和行動回答了“我從哪里來?我的使命是什么?我是天上哪顆星?”
瘋月
Six college grad students and a mysterious stranger battle a pack of ferocious werewolves in a secluded cabin.
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.