鐵漢與蕩婦

嗜血族

自古以來，民間就流傳著關(guān)於黑暗精靈澤斯蒂爾納克的傳說。這些神話生物擁有修長的利爪和非人的力量，以人類血液為食。如今，已無人相信他們的存在，但他們?nèi)耘f生活在我們之中。米拉斯是來自阿拉木圖的一個普通年輕人，卻被美麗又成功的女孩艾娜愛上。米拉斯的父母樂見兒子攀上這門好親事，並樂意與艾娜富有的家庭結(jié)為親家。然而，他們卻不知道，新親家那棟豪華宅邸的門後，隱藏著什麼樣的驚人祕密。

攔截火狐貍

　　It is the year 2022. A mysterious systems failure causes the crew of a spaceship to be stranded on the dark side of the moon, while rapidly running out of fuel and oxygen. They are surprised to discover a NASA space shuttle floating in space, and board it in the hope of salvaging some supplies....

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

芝加哥大火記

 影片主線講述了19世紀(jì)一戶普通家庭來到芝加哥并奮斗的故事，影片后半一頭母牛碰倒了提燈點(diǎn)燃了大火，展現(xiàn)了驚人的火災(zāi)場景。

格斗家

小說作家阿貞與拳王父親從小存在隔閡，父親離世后，她通過格斗競技探尋真相，逐漸理解父親并完成自我蛻變。影片圍繞父愛與親情展開，男主角雖格斗天資一般，仍不懈追尋夢想。劇情融合文與武轉(zhuǎn)換、善與惡抉擇，最終阿貞為父正名，成為真正的格斗家 。

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