劇情縱覽
杰克向同居數年的女友茱莉亞求婚,茱莉亞要求時間考慮,感覺受挫的杰克拂袖而去。此時,茱接到一通撥錯號碼的電話,電話那頭是一位有著性感聲音的陌生男子,二人竟然一拍即合相談甚歡,誰也不愿先掛電話。這位名叫丹尼爾的男子,更進而挑逗茱莉亞,點燃她心中的x愛幻想。次日茱邀丹見面,并體驗了長久以來渴望的熱情。到底她要選擇經營已久卻平淡乏味的感情,還是要甘冒風險投向浪漫新歡的懷抱?
杰克向同居數年的女友茱莉亞求婚,茱莉亞要求時間考慮,感覺受挫的杰克拂袖而去。此時,茱接到一通撥錯號碼的電話,電話那頭是一位有著性感聲音的陌生男子,二人竟然一拍即合相談甚歡,誰也不愿先掛電話。這位名叫丹尼爾的男子,更進而挑逗茱莉亞,點燃她心中的x愛幻想。次日茱邀丹見面,并體驗了長久以來渴望的熱情。到底她要選擇經營已久卻平淡乏味的感情,還是要甘冒風險投向浪漫新歡的懷抱?
喜劇/動作 出品公司:愛奇藝 制作公司:愛奇藝、天藝星杰影視 出品人:龔宇 總監制:王曉輝 總制片人:楊海濤 行政監制:王兆楠 監制:張家豪 導演:崔俊杰 制片人:楊洋、李洋、於夢迪、張瀟子、王茜 執行制片人:谷雷
青年休·麥克艾利斯特(Brandon Kyle Peters 飾)按照未婚妻未婚妻勞瑞·蘇利文(Danielle Lilley 飾)的意愿,在遠離喧囂都市的僻靜角落買了一座數十款長的大房子。喬遷當日,勞瑞對新房子既滿意又驚奇,稍后沒多久,馬克(Jose Miguel Vasquez 飾)、安柏(Emily Cutting 飾)、肯尼斯(Christopher de Padua 飾)等朋友驅車前來,準備為小兩口開一個盛大的喬遷派對。馬可他們百無聊賴,四處閑逛,結果強行進入一個無人居住的舊房子。青年男女百無禁忌,四處閑逛,根本不知自己已經惹到了什么。夜幕降臨,喜歡熱鬧的男女們紛紛云集到休的新居,大開狂歡派對。喜歡肯尼斯的女孩獨自落寞地再次來到那棟空房子,誰知卻被隱藏在這里的恐怖之人殘忍殺害。 那邊廂狂歡無度,這邊廂血腥殺戮的閘門緩緩開啟……
本片改編自羅爾德·達爾深受喜愛的故事,講述富翁亨利·休格(本尼迪克特·康伯巴奇 Benedict Cumberbatch 飾)決心掌握非凡的賭博作弊技巧。
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.