欲情會所

5.2 播放:65萬 更新:2026-04-27

三對夫婦出現在一個度假屋期待獨處的周末,但發現這個地方已經被三重預訂。情色女星珍妮和她的男友可能是同意與分享的地方,因為是杰克和王菲,一對夫婦有一個健康的關系。玫瑰,一個緊張的女人誰愿意一切都計劃好了細節,不滿意的安排,并試圖說服她的丈夫格雷戈里離開,尤其是見證了珍妮和機會一些野生的行為之后。另兩對夫婦幫助玫瑰和Gregory改善他們的關系,而女仆和廚師周圍有點傻瓜。   

即刻觀影

劇情賞析

三對夫婦出現在一個度假屋期待獨處的周末,但發現這個地方已經被三重預訂。情色女星珍妮和她的男友可能是同意與分享的地方,因為是杰克和王菲,一對夫婦有一個健康的關系。玫瑰,一個緊張的女人誰愿意一切都計劃好了細節,不滿意的安排,并試圖說服她的丈夫格雷戈里離開,尤其是見證了珍妮和機會一些野生的行為之后。另兩對夫婦幫助玫瑰和Gregory改善他們的關系,而女仆和廚師周圍有點傻瓜。   

編輯推薦

亂馬12:決戰桃源鄉!奪回新娘子!!

山口勝平,林原惠美,日高范子,高山南,井上喜久子,大林隆介,緒方賢一,鈴置洋孝,山寺宏一,鶴弘美,佐久間玲,關俊彥,永井一郎,麻生美代子,真殿光昭,中島聰彥,飛田展男,二又一成,松尾貴司,西村朋纮

 又一年的夏天來臨,在九能帶刀(鈴置洋孝 飾)的倡議下,天道道場的伙伴們決定結伴出海旅行,誰知航行中遭遇風暴,眾人最終流落孤島。由于亂馬(山口勝平 飾)和八寶齋(永井一郎 飾)的打鬧,游艇的修繕工作遙遙無期。正在這時,小霞姐姐神秘失蹤,最后連珊璞(佐久間レイ 飾)、小靡、右京也不見蹤影。在她們失蹤的現場,全部留下一只桃子。背后黑手原來是桃幻鄉的幻術王子桃磨,來到小島上的所有女孩都被擄走成為他的新娘候補。為了奪回親人和愛侶,亂馬他們注定要面臨一場惡戰……本片根據高橋留美子的漫畫《亂馬1/2》改編,系該動畫的劇場版。

牙仙歷險記

波波·斯圖爾特,杰琳·貝茨,拉金·貝爾

  一位叛逆的青少年牙仙渴望探索超越自己封閉文明與嚴苛傳統的世界。在一次冒險中,他遇見了世界上最可愛的小巨魔,以及擁有科學天賦、勇敢無畏的小妖精。三個小小生物從此展開旅程,努力聯合各自的王國,同時躲避心懷不軌、蠢蠢欲動的蜘蛛威脅。

復仇1978

塞爾玖·尼古拉耶斯庫,J·迪尼克,J·康斯坦丁

  故事發生在1941年,希特勒支持的羅馬尼亞鐵衛軍到處殘害人民,迫害共產黨員,陰謀進行顛覆,取代安東尼斯庫政權,其中鐵衛軍隊長巴拉班尤其嗜殺成性。安東尼斯庫政權保安機關的警長(后升為警察總監)莫多萬在羅馬尼亞共產黨支持下,單槍匹馬深入虎穴和以巴拉班為首的鐵衛軍展開血腥斗殺......

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

超時空輝夜姬!

夏吉優子,永瀨安奈,早見沙織,入野自由,內田雄馬,松岡禎丞,青山吉能,小原好美,菲魯茲·藍,花江夏樹,釘宮理惠

“月讀”是希望與夢想交會的虛擬空間,而舞臺幕布將緩緩升起,見證幾位少女在此譜寫短暫卻珍貴的相遇篇章。                                                                        不久的未來……                                                                        東京的 17 歲高中生酒寄彩葉過著非常忙碌的生活,努力在打工和學業之間尋找平衡。她的紓壓方式是觀看很有人氣的月見八千代直播,八千代管理名為“月讀”的線上虛擬空間。                                                                        彩葉時常光顧月讀,在那里可以體驗不同的人生,自由揮灑創意。她就靠著支持八千代度過空閑時間,還會玩戰斗游戲賺一點外快。有一天,在回家路上,彩葉發現一根電線桿閃耀著奇異光芒,沒想到電線桿里竟然憑空冒出一個可愛的寶寶。彩葉沒辦法隨手拋棄寶寶,只好把她抱回家,眼睜睜看著她迅速長成一個跟自己同齡的少女。                                                                        “你是輝耀姬嗎?”                                                                        這是你絕對不曾看過的輝耀姬物語。

無主之人

伊利亞·伍德,盧克·柯比,阿萊卡薩·帕拉迪諾,羅伯特·帕特里克,W·厄爾·布朗,Gilbert Owuor,克里斯蒂安·克萊門松,雨果·阿姆斯特朗,尼卡恩·羅賓遜,威爾·哈里斯,Emily Berry,Steven Pritchard,Jarrett Sleeper,道格·考克斯,湯姆·維圖

  伊利亞·伍德將主演犯罪題材驚悚片[無主之人](No Man Of God,暫譯)。Amber Sealey執導,C·羅伯特·嘉吉([險惡])操刀劇本。影片設定在一個單獨的審訊室中,故事根據FBI心理分析師比爾·哈格邁爾(伍德飾)與連環殺手邦迪于1984年至1989年之間的對話文字摘錄改編,影片將詳細介紹邦迪在死囚牢房最后幾年間,兩人之間復雜的關系。