劇情簡介
The暫無內容love暫無內容and暫無內容conflict暫無內容between暫無內容two暫無內容sisters暫無內容over暫無內容a暫無內容man.
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等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
捍衛機密
基努·里維斯,迪娜·邁耶,北野武公元2021年，資料除了透過電腦輸送外，還可利用人腦運輸。專業運輸員尊尼為了運送更多資料，不惜洗去自己的記憶。一次任務中，尊尼被客戶輸入過量資料，若他不在二十小時內找到輸出密碼，他便會倒斃。另一方面，日本集團為了奪取他腦內的資料，也對他展開一場大追殺。
安妮·霍爾
伍迪·艾倫,黛安·基頓,托尼·羅伯茨,卡羅爾·凱恩,保羅·西蒙,謝莉·杜瓦爾,珍妮特·瑪戈林,科琳·杜赫斯特,克里斯托弗·沃肯,唐納德·賽明頓,瓊紐曼,馬丁羅森布拉特,亨澤爾,拉舍爾·諾維科芙,拉塞爾·霍頓,馬歇爾·麥克盧漢,瑪麗·博伊蘭,約翰·多馬尼安,波波·馬羅夫,Rick Petrucelli,克里斯·甘佩爾,迪克·卡維特,馬克·雷納德,約翰·格洛弗,約翰·丹尼斯·約翰斯頓,勞麗·伯德,杰夫·高布倫,查爾斯·萊文,Johnny Haymer,邁克爾·阿羅寧,Ved Bandhu,Jim McKrel喜劇演員艾維·辛格（伍迪·艾倫 Woody Allen 飾）是這樣一個人：非常介意自己的猶太人的出身；自認為有童年陰影，看了十六年心理醫生沒見好轉卻一直付錢看；有點阿Q精神，但對人生卻充滿消極；喜歡一直講無聊的笑話。正因為自身的神經質特質，艾維經歷了兩次失敗的婚姻。艾維 遇到了安妮（黛安·基頓 Diane Keaton 飾）――一直夢想成為歌星的女孩，兩人漸漸墮入愛河。安妮在艾維的幫助下歌唱技巧迅速提高，但她的父母卻反對她與艾維來往。安妮得到了唱片商托尼的注意，獲邀前往好萊塢灌錄唱片，艾維跟著前往了好萊塢向安妮求婚。
預見者
Michael Piccirilli, Pamelyn Chee, Anthony Bishop一項革命性的人類基因研究計劃，為預防疾病與犯罪帶來了莫大幫助，身為研究員的一份子，希歐多不但致力于生命的發展與延續，還有個能預知他人死亡的特殊能力。不過這次他的能力卻陰錯陽差害死了自己的女友安娜，內疚不已的希歐多以悲傷度日，直到一個月過去，安娜竟又活生生地出現在他面前？
旅行者的需求
伊莎貝爾·于佩爾,李慧英,權海驍,趙允熙,河成國來自法國的旅行者伊麗絲在韓國擔任法語家庭教師賺取生活費。語言的隔閡讓她和學生之問的交流充滿錯位感，東亞文化中不善于思考和表達內心情感的“痼疾"又與渴望交流與開放的心態交織在一起，觸發了只有異國旅行者才能感受到的特殊孤獨與惆悵。被譽為韓國作者電影第一人的導演洪常秀繼《在異 國》《克萊爾的相機》之后與法國國寶級女演員伊莎貝爾·于佩爾再度合作，用極簡主義的拍攝手法呈現細致入微的人際關系精妙互動，斬獲2024年第74屆柏林國際電影節評審團銀熊獎。
奧利維婭與云
Olga Valdez,Héctor Aníbal,Elsa Nú?ez,Dominique Goris,Fery CorderoOlivia and The Clouds explores love's complexities through a Rashomon effect. Olivia, haunted by a past love, hides it under her bed. She trades flowers with this ghost in exchange for comforting rain clouds.
恐怖買家
勞倫·拉維拉,Neal McDonough,Alicia Witt,Djimon Hounsou,吉娜·菲利普斯,David Call,Michael Lombardi以下兩位千禧一代將他們不擁有的紐約公寓賣給了不知道自己被騙的新買家。這個騙子干得很出色，直到他們遇到了一個公寓老板，他有一個黑暗的秘密，把這個游戲玩弄在他們身上。