播放通道
詳細簡介
熱門影視 大家都在看
偽叛國者
威廉·霍爾登,莉莉·帕爾默,休·格里夫斯,卡爾·拉德茨,Ernst Schr?der,查爾斯·雷尼爾,英格麗·凡·貝爾根,沃爾夫岡·普萊斯,維爾納·彼得斯,埃麗卡·比爾,Stefan Schnabel,克勞斯·金斯基,埃里克·舒曼,波爾·賴希哈特,John Wittig,Louis Miehe-Renard,Kai Holm,Jens ?sterholm,J?rgen Krogh,伊娃·達爾貝克,烏爾夫·帕姆,約翰·班納,Martin Berliner,Jochen Blume,菲爾·布朗,馬克斯·布施鮑魔法奇緣2:解除魔法
艾米·亞當斯,帕特里克·德姆西,瑪婭·魯道夫,伊迪娜·門澤爾,詹姆斯·麥斯登,加布里埃拉·巴爾達奇諾,奧斯卡·努內斯,杰瑪·梅斯,伊薇特·尼科爾·布朗,科爾頓·斯圖爾特,詹姆斯·門羅·伊格爾哈特,安·哈拉達,Naoimh Morgan,肖恩·達根,布里吉德·萊希,埃馬紐埃爾·奧克耶北京遇上西雅圖之不二情書
湯唯,吳秀波,惠英紅,秦沛,吳彥姝,顏卓靈,王志文,陸毅,祖峰,王茜,劉志宏,張一白,艾麗婭,李燦森,陳創,韓張春苗
李秀明,高寶成,達式常,林彬,白穆,于飛,李保羅,趙抒音,于元奇幽閉空間
杰森·帕特里克,路易莎·克勞瑟,馬克·馬戈利斯武器之刀光劍影
李乾銘,張星闌,孔孝信,孫祎彤,李夢瑤,張春仲,曹禹澄,馮瀑,李雄,王鷹,齊·寶力高,于又川,元寶同類推薦
絕命孤城
施駿喆,婁宇瑤,徐永革,趙曉明,馮可明朝中葉,西北邊城,青樓女子接連被殘殺,隱匿線索直指邊關軍營,神捕白展飛奉命調查,卻屢屢受阻,無奈下只得暗中探查。然而當他撥開層層迷霧,竟發現此案潛藏著一場不可告人的驚天陰謀。喋血孤城,命懸一線。(影劇備字〔2023〕第1669號)
黑衣女人2:死亡天使
海倫·麥克洛瑞,杰瑞米·艾文,菲比·福克斯,利安娜·貝斯特,阿德里安·勞林斯,奧克利·佩德加斯特,萊拉·德·梅扎,海莉·喬安妮·培根,奈德·丹內利,阿米莉婭·皮金,豪爾赫·萊昂·馬丁內斯,裘德·懷特,皮普·皮爾斯,理查德·班克斯,阿爾菲·西蒙斯1941年,第二次世界大戰如火如荼。英國倫敦遭到納粹法西斯的毀滅性轟炸,成千上萬的人流離失所,更有無數兒童淪為孤兒。為了躲避戰火的蹂躪,陸軍軍官的妻子海倫·霍格女士(海倫·麥克洛瑞 Helen McCrory 飾)與伊芙·帕金斯(菲比·福克斯 Phoebe Fox 飾)帶著孤兒們登上列車,輾轉來到一處偏遠所在避難。經過長途跋涉,她們抵達目的地并被安排在臨時的占時軍隊醫院落腳。只不過它的前身這里正是那個黑衣女人橫行盤桓的Eel Marsh House。才脫狼穴,又入虎口,驚慌失措的女人和孩子們即將迎來比戰爭更為可怕的噩夢,惡靈的殺戮有序展開…… 本片根據英國小說家蘇珊·希爾(Susan Hill)的暢銷小說改編。
探子阿堅:無頭奇案
玉葉,國輝故事發生在大約200年前的越南阮朝,探子阿堅受某村莊的邀請,前來調查神秘失蹤的案子....
時空悍將
丹澤爾·華盛頓,凱莉·林奇,羅素·克勞,威廉·弗西斯,威廉·菲克納故事發生在一個電腦科技極為發達的年代,一名科學家發明了一個殺人程序協助警方辦案,其中集結了數百名連環殺手的資料和他們的作案手法。這個程序是如此的邪惡,最后不僅生成了個人意志,更擁有了人類的外表和可以隨時修復任意損傷的特殊能力,它從禁錮中逃脫了出來,在世間作惡。 為了捕捉這位邪惡的“兇手”,警方設計了一個追蹤儀器,罪犯帕克(丹澤爾·華盛頓 Denzel Washington 飾)被選中成為了儀器的試驗品。帕克曾經亦是一名警察,卻因為動用私刑殺死了讓他家破人亡的殺手而被免除了職務打入大牢。而讓帕克感到在意的是,在殺人程序中,亦有當年殺害他家人的那名殺手的存在。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.