即刻觀影
劇情賞析
編輯推薦
幸存者1999
格雷格·艾維甘,瑞秋·克勞福德,克勞迪亞·米歇爾森,大衛·休萊特,Diego Matamoros,克雷·班奈特,Gene Mack,勞倫斯·貝恩《幸存者》講述了十億年前，外星異種來地球，進行各種生物培育，因為地殼運動劇烈，被火山巖漿淹埋。荒涼的北極科學探測站內，正歡呼石油的到來，鉆臺無故斷電、礦井噴出神秘的膠體、員工被大卸八塊……頓時失去控制，當站長亞當、凱特等反應過來，并組織起武裝防衛時，95%的人們成了無辜冤魂，血肉模糊、腦髓迸射；不可抗力的人類浩劫就此爆發，從北極向全球瘋狂蔓延……
鐵甲無敵瑪利亞
梁朝偉,葉倩文,徐克,林正英,岑建勛,陳國新,林國斌,秦沛太陽黨是一個恐怖組織，其首領救世主（林國斌 飾）善于開發戰爭機器人，他和女友瑪利亞（葉倩文 飾）經常利用自己開發的機器人“先鋒一號”大肆破壞。由于“先鋒一號”威力強大，警方也常常束手無策。小徐原是英雄黨的一分子，后來對自己團伙的所作所為深感不滿而在師傅的擔保下脫離了該組織。一次小徐在酒吧偶遇了專為警方開發戰爭機器人的專家阿毛（岑建勛 飾），兩人一見如故，成為了好朋友。豈料太陽黨因此懷疑小徐出賣了自己，因此派出新研制的機器人——外形和瑪利亞一模一樣的“先鋒二號”追殺小徐；更糟糕的是，警方亦因此懷疑阿毛出賣了政府，因而同時派人前來捉捕他們。一對好兄弟，能否逃出生天？
歸途2025
伊沙恩·哈塔爾,詹維·卡浦爾,莉姆·謝赫,Vishal Jethwa北印度村莊的兩個好友為尋求尊嚴而競逐警察職位，但在愈發絕望的追逐中，他們的友誼逐漸崩裂。
瘋癲和尚之再續前緣
雪村,鐘夫翔,石洋子影片講述了阜縣妖孽橫行，縣上的孩子不斷離奇失蹤，瘋癲和尚受命下界驅魔降妖，正巧碰上地府判官鐘馗來人間收魂。二人嬉笑怒罵斗嘴斗法，在爆笑不斷的接連烏龍中引出了神秘銀面人，還結識了美艷絕倫的客棧老板娘和憑借一張嘴就能把人“說死”的怪異書生，牽扯出一段前緣未盡癡纏幾世的人狐戀。千年妖狐日日行善卻為何屢屢煉鬼？神秘銀面人到底是誰？佛、道、妖、魔聚首阜縣，一場殺機四起的混戰即將開啟，瘋癲和尚又將如何應對……
宇殺員
Shannon Hutchinson,Vito Trigo,Jasmina ParentIn the near future, aliens have invaded Earth and declared a galactic war resulting in thousands of human casualties. To save Earth, a team of four teenage astronauts brave the alien wilderness of a distant planet to stop an assassin from changing the course of history forever.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.